Tagged: fiction

The Black Mask and The Executioner

“I am innocent!” the noble, righteous, and beautiful hero protested, unable to rain down his fist for emphasis. The blood dripped from where his finger nail used to be.

His hands were taped down to the kitchen table of his youth. He couldn’t get up. He couldn’t move. A whimper escaped his lips. The Black Mask did not notice.

He muffled an indignant and a righteous howl as the Black Mask unexpectedly reached across the table with both hands and tore the tape away with a speed that rivaled lightning.

Maybe it’s over.

The hero prayed, thanking his god for rescue. Almost imperceptibly, he lifted his head to get a better look at the masked man and the torture room, once his safe space.

The walls were charred black. The place where the stove used to be–the stove which received his mother’s love, meal after meal of his distant childhood–was now as empty as a reluctant warrior’s gaping chest cavity after receiving an RPG round on a foreign battlefield, in a forgotten war. Breakfast, lunch, and dinner, she stood, stable as an oak tree, beautiful as a sunset–and apparently as fleeting–never so much as hinting that the effort she spent preparing his food should cost her more than the mere hours it took.

Before his hands had moved even an inch, an agonizing pain began at his left wrist and tore through his left arm like a tornado through a Texas trailer park.

Then he felt something moist smear across his face.

Then he heard the sound.

Then he saw the instrument.

The head of the ax was buried into the kitchen table. The handle stood cocked like the minute hand of his parents old wall clock, except that this cursed chronometer just announced Pain’s time of birth. And like a watch, it divided his wrist from his hand as cleanly as up from down, as permanently as left from right.

“Where do you think you’re going?!” barked the hot voice, smoke bellowing from beneath the Black Mask.

Time was running short. One hand already lost, coupled with the fact that the Black Mask was running out of torturous tools, the hero decided to sing out one final protest. His voice, his majestic, his chivalrous, his heavenly voice–the voice that had drowned forest fires as it chased them down mountains, the voice that had serenaded thunder back into the puffy clouds from where it came–his only weapon.

Attempting to use his body to help elevate his noble cause to the gates of heaven, he began to stand as he proclaimed, “I’m sorry!” He drew his next breath as if it might be his last. “But I am innocent! And I demand you cease these proceedings at once.”

Uninterrupted, he boldly continued his pathetic, and now somewhat benevolent, plea, “And what have you done with my moth-”

But before he could finish a button had been pressed. Straps of scalding, sinewy snakeskin sprung out from the floor beside his chair and wrapped painfully across his thighs. The wooden chair legs groaned under the new, nearly unbearable load.

The hero heard what he supposed was a laugh–but sounded more like enemy tank tracks grinding toddlers’ teething smiles into the wood-chips which fill schoolyard playgrounds–flap out from the bottom of the Black Mask as the eye holes sparked flame-red with delight.

The realization that there was no point in protesting hit him like thirteen jackhammers during a construction sign-studded summer drive at five.

Seeking, but seeing no disagreement, he stretched his right fingers out and felt for the brier-barbed pencil.

Did the Black Mask leak a solitary beam of light?” the hero wondered confusedly, his left stub likewise pulling the loose-leaf paper close.

The outside world could have fallen away, burned away, dried away, or shaken away and the Black Mask would not have noticed as he watched the boy sigh and write out for the sixtieth time, “I am responsible for my gloves. If I lose my gloves, it is my fault. I will not lose my gloves again.”

Ear Sugar

Playfully hopping around the kitchen, H- didn’t miss the opportunity to stop and look at her reflection in the back door’s glass. She then bounced, no, danced her way over to her father.

“Oh. My. Goodness,” he said, import coming from his staccato. He did not look up as he walked the butter wrapper to the trash can.

“What?” she asked, curiously.

“Can you calm down just for one minute?” he returned.

The laptop monitor had an image of James and Lars as they sat in the studio. The “making of” documentary H-‘s father had been showing her during dinner was now paused as he mixed the cookie dough.

Still attempting to solve the present energy riddle, he shook his head and mused, “It’s not even like you had any sugar.”

Her expectant eyes quietly suggested that no solution was in sight.

Looking down at her, he again noticed the screen as he returned his attention to the mixing bowl.

Proud of his ability and with a subtle cock of his head to the left, he concluded, “I guess Metallica is kind of like sugar for your ears.”

The Right Brothers

“Read it.”

H- slowly read, “United States of America.”

I took back the card and scanned for the line I intended her to read and be impressed by, and then reattempted my quest, this time with my finger as a guide for her eyes.

“Flight Instruction.”

“Flight Instructor, H-. Flight Instructor. I can teach people how to fly.”

She was not impressed.

“Oh, look at this. These are the two guys who invented flight,” I said, showing her the back of the license.

She scanned it, displaying deep resolve to not feed my ego.

“Wait,” she finally said as I took it away. “Let me see it again.”

This time her eyes studied the images.

Her turn to impress, she dispassionately declared, “They look like the Wright brothers.”

Review of The Fiery Heart by Richelle Mead (A Bloodline Novel)

Fiery Heart

The most fitting way to describe this book is by telling the truth. It is both good and bad.

You may be wondering how I ever stumbled upon Richelle Mead’s The Fiery Heart. The answer: one semester of translating Hebrew and Greek. I mentioned to a friend that over the break I just wanted to read something easy and preferably out of the norm for my tastes. I was thinking sci-fi or fantasy. I thought that that conversation bore no fruit, so I drove to the bookstore where I picked up Octavia Butler’s supposedly sci-fi story Kindredchosen literally by its cover. Sci-fi written by a black woman, who knew? (Review coming soon).

Kindred

Anyhow, the next morning I found Mrs. Read’s vampire tale on my windshield and decided to follow the rabbit. Like I said, it’s good and bad. The following sentences should demonstrate what I mean.

There was just her and the feel of her lips, the exquisite way they managed to be soft and fierce at the same time.

I admit that one caught my attention. It is on page three, and it caught my attention because while I was in college, I took an ethics class. (Oh the fondness of that memory.) There was a lady in the class who had some very odd tendencies, and one friend and I identified these tendencies and exploited them. We were classically behaving as “little shits.” In short, while we ate lunch before class, we would decide which of her tendencies we would adopt and then impose them on the classroom discussions at will. One of our innocent classmate’s tendencies was to answer in opposites. You can imagine the fun we had as we concluded any ethical analysis with, “I guess, what I’m trying to say is, I think it’s both right and wrong.” And the best part was that the woman would resoundingly answer, “That’s how I feel!”

Back to blood boilers and dhampirs (thought I’m still not sure exactly what those are). As I read Mrs. Mead’s novel, I kept noticing this tendency to invoke contradictions in the name of good writing. I didn’t start keeping track until about half-way through the book, but here are a string of them. They occurred about every forty-ish pages.

Her long, dark hair spilled over her shoulders, and there was a fire in her brown eyes that was both dangerous (wait for it) and alluring.

And another.

Even through my jeans, that touch was provocative and made me think of all the times he’d run his hands over my legs. It was agonizing…(drumroll please) and exquisite.

Another.

Time stopped having meaning. It seemed like both an eternity and (How short? Please, I can’t wait a moment longer!) a heartbeat before I was cognizant of my surroundings again.

More bluntly.

This isn’t the same as you running off to a witch’s tea party! This is life and (Let me guess…) death. (YES! I was right.)

Last one, for effect. The speaker is talking to the human girl who is dating the vampire boy.

And that’s the thing, I think…the real reason I’m not that weirded out by you two. It goes against all sound logic, but somehow, you two together…it (Anyone else’s head feel warm?) just (Oh boy. I’m not feeling so good anymore. Bathroom please.) works. (Hurrrl. Now, retract tongue.)

Besides these juxtapositions of contradictory and ultimately inconsequential platitudes, the book contains two hundred plus pages of foreplay and a disappointing sex scene, prescription drug use, illicit drug use, and a whole host of other unsavory behaviors (all by eighteen year old’s) which in and of themselves certainly need no help being normalized into our degrading civilization. Oh, and there was a lot of mouth’s crushing together. Considering the nature of vampire teeth, that seems dangerous. And life-giving.

Review of Dunkirk by Christopher Nolan

It’s not a movie. Sure, in the technical sense it is a motion picture, but just now, while at Soopers when I saw the bluray for sale, it hit me. Dunkirk is not a movie. These type of missteps are expected, of course, from the truly creative human, of which Nolan is surely one. But he stepped out of his lane and tried to fool us, rather than just release it at Art House Cinemas or Fine Art Cinemas, the place where it belongs. And that move should cause him to feel some slight twinge of shame. We’re not mindless suckers, Mr. Nolan. We just like stories and are illiterate.

Whew, glad I got that one figured out.

The Look

“Ah, what’s going on here?” he said, upon seeing the “Road Closed” signs ahead.

Our pair were on their way to their downtown church, and as often was the case, some Sunday mornings more people chose to use the city streets to communally run/walk in circles than travel to worship the LORD.

“Daddy, why don’t you use your phone?” H- suggested from the back seat.

In previous and similar situations H- must have noticed that her father fared better when he let the voice of his GPS keep him oriented to the church’s location as he attempted to navigate the detour.

“Well, H-, here’s the thing. I feel like one day I am going to really understand how to navigate downtown Denver,” he paused for effect. “And today, well, today just might be that day.”

He looked into the rear-view mirror and saw what can only be described as volumes of doubt.

Let me pause this tale to ask you, the reader, a question. How many words can a little girl’s look contain? By my count, at least fifty. For H-‘s look said, clearer than any voice can utter, “You think today is going to be that day, daddy? Of all days, you actually think the day you understand downtown Denver is today? When we’re already late? I cannot tell, daddy, if you’re joking or not? So I’m asking you directly, ‘Do you really think that day is today?'”

Suffice it to say, it wasn’t that day.

Eve’s Grief

Harsh wind enraged remnant embers

 

No

“Cain, my love!” his mother cries

She bids him, “Here!”, she scrambles near.

 

 

****

A Sestina is form of poetry–a restrictive form of poetry.  It has six stanzas of six lines, then a three line stanza.  The last words of each stanza are the tricky part.  After the first stanza, the last words have been chosen.  The full pattern is as follows:    

  1. ABCDEF
  2. FAEBDC
  3. CFDABE
  4. ECBFAD
  5. DEACFB
  6. BDFECA
  7. ECA or ACE (called envol or tornada–it must also contain the other end-words, BDF, in the course of the three lines so that all six appear in the final three lines.)

Commercial Break

We now pause our regularly scheduled programming (three more Cain and Abel re-writes on their way) to bring you some of Robert Louis Stevenson’s best sentences.

From Treasure Island

Silver was roundly accused of playing double–of trying to make a separate peace for himself, of sacrificing the interests of his accomplices and victims, and, in one word, of the identical, exact thing that he was doing.

From Prince Otto

(This first one hits strikingly close to home–perhaps ol’ Bob stumbled upon Ecclesiastes?)

Do you not know that you are touching, with lay hands, the very holiest inwards of philosophy, where madness dwells? Ay, Otto, madness; for in the serene temples of the wise, the inmost shrine, which we carefully keep locked, is full of spiders’ webs. All men, all, are fundamentally useless; nature tolerates, she does not need, she does not use them: sterile flowers!

And this one (Prince Otto, too) persuades whatever inner-workings lie behind the long development of some men’s seemingly hard, dark faces to rush to just beneath the surface the brightest and rosiest hues of red.

There is nothing that so apes the external bearing of free will as that unconscious bustle, obscurely following liquid laws, with which a river contends among obstructions.

The Inquiry

Of all creatures, man is set apart by his ability to respond at length. Other creatures appear to be able to make inquiry and even reply through a series of grunts and gestures, but man alone has been endowed with the responsive power so-called reason.

****

Lowering his chin almost imperceptibly, Adam slowly closed his eyes. With an increase of force likely to be noticed solely by his closest family, he exhaled the entirety of the deep breath he had been holding as he watched his sons. He leaned his head forward until his chin rested on hand, which was on the top of his staff, as he reopened his eyes.

“What?” Eve asked.

He didn’t look at her. Though his eyes were open, he did not see anything but the garden.

“What?” Eve repeated.

Worried by Adam’s silence, Eve did not notice the look on Cain’s face. Adam did not have to.

“Abel!” he called at last. “Here,” he motioned for his son to come close.

As Abel listened to his father’s words, he looked towards Cain only to see that Cain was staring at him. Some new feeling arose in Abel, one whose name did not yet exist but which he wished would never have surfaced.

The next month was not pleasant for the family. Adam would not let his sons out of his sight. Eve worried.

“What are you saying, Cain?” Abel asked when the two brothers were in the fields, some distance from Adam.

“I’m saying He-” Cain motioned towards the entire sky, “-He spoke to me after that day.”

“And what did He say?” Abel replied.

“He told me If you do well, will not your face be lifted up?

Relieved, Abel said, “That sounds true.”

“But then He said,” Cain continued, “And if you do not do well, sin is crouching at the door; and its desire is for you.

Alarmed and looking for Adam, Abel said, “Why wouldn’t you do well, brother?”

Adam awoke from his daydream and did not immediately see his sons. Scanning the horizon with growing panic, he soon calmed down. The two men were seen facing each other, apparently talking about something. Then Abel took a step backwards, as if to place some distance between Cain and himself. Adam grabbed his staff and began to run, cursing himself that he did not stay closer.

“STOP!” Cain commanded Adam, Abel lying lifeless on the ground. “Do not come any closer, father.”

Adam stopped and closed his eyes and saw the garden. Cain bumped Adam’s shoulder as he left him there with Abel’s body. Then Adam buried Abel.

That night, Cain had nightmares of the voice saying, “You must master it. You must master it. You must master it.”

He awoke to the sound of thunder, soaked in sweat.

Then Yahweh said to Cain, “Where is Abel your brother?”