Tagged: Movies
Part 2/5 – Review of American Sniper by Clint Eastwood
It’s no secret that we love people that are the best at something. We also respect military members tremendously, rightly so. So, as movie watchers, when we see that someone has made a movie about a military member who is the best at his craft, it is difficult to not be interested. (Anyone remember Top Gun?) My question is: Was Chris Kyle’s status as most lethal sniper in US military history relevant to the story Eastwood tells in American Sniper?
The story, remember, is about PTSD. Part of the reason I am taking an entire week to review this film is because some subject matter only ever has one reason to be put into a story. PTSD is one such topic. A movie about PTSD is made for only one reason. It is not made to enjoy watching, though if done well it might be enjoyable. It is not made to give non-veterans a glimpse of what veterans may or may not be going through after they return from deployed locations and/or combat, though if done well it might, in fact, provide a glimpse that they might not have otherwise gotten regarding why a loved one’s behaviors might be different than before. The reason someone tells a story about PTSD, especially in 2015 America, is because they want to help the surely tremendous number of military men and women who suffer, alone and quietly, as a result of their voluntary service.
So was his status relevant to the PTSD-centered story? The answer is yes and no.
Yes, I could admit that it was relevant if Eastwood’s angle was to show that “Look even the top sniper admitted he had PTSD and was able to find some peace after admitting it.” Yes, if Eastwood wanted to show that therefore there is hope for all because Kyle was able to begin to recover from it, then I can see his intentions were pure and he just didn’t manifest them very well.
But no, his status as top sniper was not relevant if he wanted to tell a story that would really help veterans. And here’s why. PTSD has a negative stigma. Hell, the word disorder is the D. Nobody wants to admit they have a disorder. What knucklehead academic even thought they were doing a good thing by terming a difficulty acquired from attempting to do good in the world a disorder? And of course everyone knows that the men and women who are actually around killing and death have experienced trauma (the T). But there are only a select few military members who are actually pulling triggers and having to duck on a regular basis. What about everyone else? What if they still experienced something that is causing their transition back to civilian life to be difficult? How anxious will they be to come forward when some Navy SEALs still might not be ready to admit they are having a hard time after they come home? How about pilots of the new remotely controlled aircraft that are pulling the trigger from half-way around the world and only seeing a black and white television image of a body going limp? Do you think they, when they think long and hard on it, actually believe they have anything in common with the macho dudes kicking in doors? Do you think they want to raise their hand when help is offered?
Here’s the truth that veterans don’t think to share with the world. We learn first-hand that every military member is capable of amazing feats. We know this because as we signed up we stereotyped and guessed who would do what when. But during our time in service someone proved our infinite wisdom wrong. Moreover, plenty of people never get the opportunity to demonstrate/discover what they hoped combat/service-before-self would teach them about themselves. By way of example, Chuck Yeager became an ace combat pilot in one day at age twenty-one. I didn’t even go to Iraq until I was twenty-five. And no enemy aircraft ever approached the slow helicopter I flew. Suffice it to say, I never did get my five aerial victories. (But I did log more combat NVG time than Yeager, which I am sure he loses sleep over.)
I have to believe that Chris Kyle admitted to someone at some time that he was just doing his job and while the status his circumstances bestowed up him was neat, he wouldn’t have cared if his tally put him last on some list. And I’ll even go one level further. If he really did care about helping vets like the story goes, (which I fully believe), I bet he’d trade every confirmed kill to help just one veteran.
In the end, we’re talking about telling a story to an audience who is short on hope. Seeing a finally smiling Bradley Cooper give a ride to the man who kills him, another afflicted veteran, just doesn’t turn the light on for me.
****
Wednesday – Never mind how I felt while I watched the funeral procession, how do I feel now?
Thursday – But, then, what do I know? I don’t have PTSD.
Friday – Or do I?
Part 1/5 – Review of American Sniper by Clint Eastwood
By Request
Reactions to recent posts have had an unintended consequence of making me believe you wouldn’t mind reading more about my military related struggles with the hopes of understanding your less talkative family members’ own strife (using the timely film American Sniper as a vessel). I am flattered and have decided to accept the charge. As you’ll see, though, while I began doing it with you in mind, I gained a clarity relevant to my own life. I saw how this challenge will help me. So that’s why I’m really doing it. But I believe that help is help is help, and that means if it helps me, it might help someone else. So here we go. Together.
Today I’ll set the stage with my criteria for the film review. Throughout the rest of the week we’ll get into the nitty gritty.
A magazine writing course taught the importance of asking yourself what your article, your story, is about about. Lucky for you and I, I recently came across a movie review that put that concept a bit more clearly. “It’s not what [the story’s] about. It’s how it’s about it.”
American Sniper is about PTSD. There should be no argument there. How does Eastwood go about PTSD? Lazily. Embarrassingly so. (Want a movie that doesn’t go about PTSD lazily? Check out David Ayer’s Harsh Times.)
Sniper’s story is fairly straightforward. There’s this tragedy that is inconceivable. Top US sniper Chris Kyle who only recently is beginning to overcome PTSD’s effects is killed by a veteran he was helping to overcome PTSD. Though you don’t find this out until just before the credits roll.
Surprise endings don’t do it for me. They never have. Consequently, I don’t mind spoiling this movie because the issue–PTSD–far outweighs any entertainment value that the surprise ending provides. Let’s be honest, movies don’t change the world anyhow. Stories do. And for me, if a story relies on a surprise ending for strength, besides being lazy, its power is diminished upon each subsequent telling. This thinking inevitably leads to: any story that loses power with each telling isn’t worth telling in the first place. (Test the Greatest Story if you don’t like my thinking.) But again, it’s not Sniper’s story that is lazy (powerless), it’s Eastwood’s telling of it–how he went about it.
Maybe I’ve just seen more movies than most folks, but I was bored during the first half of the film. For most of it really. Not because I’ve been there or done that. But because every other recent contemporary war movie has been there or done that, and in most cases done it better. Two examples stand out prominently. The Hurt Locker for juxtaposition of home life vs. deployed life (ref cereal debate) and Zero Dark Thirty for realism (ref “Usama…Usama” whisper). As moviegoers, we’re not in a vacuum. Eastwood should’ve known better. He had a story that is so inherently powerful there was no reason to tell it in such a way that places it alongside those two films in my mind. Yet there it sits. Rather than do the story right, he (lazily) chose to compete and he loses. Like my brother often says, “It would have been a good movie…if every other movie hadn’t already come out.” In my words, American Sniper is a lazy telling of a story whose intended audience deserves better.
****
Outline For The Week:
Tuesday – Was it relevant that he had more confirmed kills than any other sniper?
Wednesday – Never mind how I felt while I watched the funeral procession, how do I feel now?
Thursday – But, then, what do I know? I don’t have PTSD.
Friday – Or do I?
I Love Filmmaker Michael Mann
He is the absolute best filmmaker ever. Hands down.
My favorite film of all time is Last of the Mohicans. It is probably no coincidence that this is also the first film of his I ever saw, and it might be the first rated R film I ever watched. I know for sure that at the time I didn’t even know his name or, for that matter, that movies were made by different people. While most people I run into shy away from ever choosing their favorite, my training prevents me from fearing and so after much deliberation, to repeat, I proudly pick Last of the Mohicans.
I say all of that to introduce the fact that any movie buffs can imagine my shock when upon completing Heat in college I discovered that in that crime tale–the first time Pacino and De Niro gloriously face-off on film–again, it was Mann at the helm.
My memory is a bit fuzzy at this point, but I think my next it’s-a-small-world-after-all shock was discovering that he created one of my mom’s favorite early-80’s television shows–meaning I’m pretty sure she watched it while I was in the womb–Miami Vice. It shouldn’t take much convincing then that when I heard he was making a stand alone film of Vice, I lost my breath. (“Do you dance?” “I dance.”)
After heading to the local video rental store to get caught up with Thief, Manhunter, and The Insider, Ali marked the first time I saw one of his films in the theater. And you can bet I was first in line for when he teamed up with my raision d’etre, TC, in Collateral.
Naturally, my younger brother is also a big fan. Not as big, but big. So to cap off his bachelor party ski extravaganza he and I went to see Mann’s latest release Blackhat. It has been a long time since I left the theater believing that someone knows how to tell a story to adults. I had hoped Interstellar would end the streak of disappointment, but I have to agree with the masses that while very, very good, it was also a little silly. Not Blackhat.
What makes Mann stand head and shoulders above the competition? Pacing. His pacing. No one else comes close.
Now, we’re all adults here, right? You know how there is a standard line during sex where when in passion’s throes one partner sensually requests that the other develop the bliss a little more competently? When, in a voice that quiets to little more than air rushing by your ear, you hear the plea, “Don’t rush”? Well Mann’s grasp prevents his lover from ever contemplating such a petition. Unlike most other film makers, he is in complete control. There is no doubt that every particularity of every moment is exactly as he wants it. There is no “film by committee” with him. It’s his way or the highway. And Blackhat reminded me of this once again.
Need one more example of how I know he’s the best filmmaker? I know because the previews for his movies are horrible. They are horrible because he doesn’t make previews. He makes movies. He makes motion pictures. He makes art. Could a single measure of Beethoven’s Ninth Symphony do that song justice? Or one star in Van Gogh’s Starry Night? No, the answer is no.
In a word, compared to Michael Mann, all other filmmakers are simply salesmen.
Review of There Will Be Blood, by Paul Thomas Anderson’s Agenda
The only reason anyone works to pump oil out of the earth is greed. Greed only spawns more greed which eventually creates (or perhaps is a catalyst for) a downward spiral of human vice that passes through selfishness, hate, betrayal, and ultimately murder. Or at least that’s what Paul Thomas Anderson’s award-winning There Will Be Blood wants us to believe. As much as false-prophets–con-men–deserve to be hated, it is impossible not to hate Daniel Day-Lewis’s remarkable portrayal of oil tycoon Daniel Plainview more. And in hating Plainview, it’s difficult not to hate oil.
People hate oil.
Funny to read, isn’t it? It rings true, but it really isn’t. It’s no more true than if we said people hate dirt or people hate wood. It is foolish to make these inanimate, naturally occurring objects the object of our hate, just as it would be to make them the object of our love. They merely are. But we can certainly hate people. We can certainly hate ideas.
Maybe people hate oil men. Maybe people hate their own ignorance of geology. Maybe people hate what they don’t understand. Surely people hate greed.
It seems wherever oil is under the earth American troops are over it, and service members who deploy to the middle-east are bombarded by activist’s propaganda filled with facts and figures which encourage hating Texas Oil Men George W. and Dick Cheney. And Halliburton and KBR and Lockheed Martin and every other group of people that could be lumped into the war-for-profit-is-clearly-a-bad-idea category. Tightening the frame dramatically, I needed no encouragement to hate my aircraft commander on my last deployment. I astonished even myself with how little prompting it took for me to heap some hate on my sister and her small group.
Finding myself in the oilfield here in Colorado, I occasionally hated living in the man-camps. I hated being away from my daughter. I hated her mom for wanting to see her for more than her half during my days-off.
Similar to all men, hate and I have had a long and storied history. Luckily, I have a friend named Kirk. One day, years ago, I told my friend that I was floored to discover that a Kelly Clarkson pop song included the sage lyric, “For hating you I blame myself.” Being the good-natured midwesterner that he is Kirk didn’t miss a beat and replied, “That’s right Pete. Hate comes from within.” Doesn’t it though?
And that begs the question, “Will there be blood?”
Anderson made an excellent film. It is an excellent portrayal of greed from both ends of the spectrum. But in making the film relevant for the masses, in using oil as the backdrop, he, perhaps unintentionally, allowed the oil to obscure a greater truth. Hate, greed, everything comes from within.
Review of the Critics of Transformers 4, By Michael Bay
The first Transformers movie will always have a special place in my heart. Instructor pilots of mine piloted the MH-53 that was the movie-opening Decepticon “Blackout”. Michael Bay even hand chose the pilot that marked me “unsatisfactory” once to be the hologram that “piloted” Blackout and later had a scene in the police car that interrogated Ladiesman217 (Shai LaBeouf).
I need a minute.
Okay, back to the review. Then came the second and third installments. Admittedly they were less than inspiring.
Then number four lost LaBeouf, but gained Marky Mark. Not interested enough to see the film in the theater, I started watching it four weeks ago, and finally finished it yesterday. Why did it take so long? And why did I persist, you ask? Because Optimus Prime riding a T-Rex Dynobot only happens once in a lifetime. And because that darn scene didn’t occur until the 133rd minute in the 165 minute film. But I still got goosebumps. It is awesome.
Here’s what some reviewers said about number 4 on Rotten Tomatoes:
“In the end, though, this is still a movie about giant robots fighting each other, which is to say it’s nearly impossible to take seriously on a narrative level.”
“Inflated, interminable and incoherent …”
“Transformers: Age of Extinction is simply more of the same mindless action, flat characters, and utter boredom that we’ve come to expect from these bloated mechanical sequels.”
And my personal favorite:
“Transformers have souls, this movie repeatedly tells us, but does Michael Bay?”
Know what I say? I say Michael Bay has a soul and it is the soul of a genius. Stay with me. I began watching this movie after listening to H- play for hours on end with a Beauty and the Beast doll set. The set included Belle and a few dresses, the human prince, and a Beast suit to put over the prince. (She hasn’t seen the movie yet.) These three characters became Belle, Belle’s father, and Beast (never mind he doesn’t have legs). And soon thereafter a lego character entered the mix so that it was an even two-on-two. Good guys became bad guys; characters that died came back to life; Beast was always asleep in the moments before only he could save the day. You know I love this child, but listening to her play can be mind-numbing.
Now, I can memorize a two hour movie’s story-line after one viewing, yet can’t follow, let alone repeat, H-‘s story-lines. Michael Bay, on the other hand, can. If you watch Transformers 4 as if you’re watching a four-year-old holding the actors and robots alike and performing all the voice acting, then the movie is perfect. Simply perfect. All the characters are yelling, injured, needing help, fighting, crying, whining, dying, or repeating some cheesy line they probably just heard the day before on TV. Even the scene where the boy and girl kiss after the victory seems like a child is forcing the two of them together while saying, “Mmua, Mmua” and thinking, “Eww gross”. The poor kid knows kissing is what happens when good guys win, but doesn’t understand why.
The genius of the movie and what the critics forget is that it is quite literally a movie about toys in the first place. Perhaps it is the 2007 installment that should be viewed as the fluke. But now with the fourth installment we’re finally getting to the heart of why Transformer toys and Transformers 4 are so great. And all these nay-saying critics probably don’t recognize that when they got big, they became the guy from Big who thinks that there’s something fun about a building that turns into a robot.
Review of Christian Mingle Movie Preview
Click here if you haven’t seen the preview (it’s worth it–trust me). The subject line I chose when sharing the preview with my brother was “worse each second.” His response included, “Offensive to anyone with a brain.” Another friend said “ridiculous” and meant the word’s literal definition. Running only two and half minutes in length, the damage it causes is immeasurable.
Choosing a place to begin is proving difficult, so I’m just going to go free association from here on out. Who knew you had to be white to be a Christian? Who knew you had to have a full head of hair? And wear checkered button-down shirts tucked into khakis? Actually, I think we all knew that. I didn’t know Christians kissed outside, but come to think of it I should have. I am happy to see that, like in real life, once you have a black friend, you get to tell them they all look the same.
I for one can tell you no matter how happy my family looked in church, discord was the norm at home, especially during the holidays–even the big one. (What Ma?! I’m just acknowledging they were stressful.) But yes, Christians do certainly seem to be happier in public, don’t they? I think it’s because that’s when they try. Oh, and the fact that they have all the answers. And that’s why we should all marry a Christian. Or date one. Or at least subscribe to Christian Mingle. The good news is you don’t even have to be Christian or single to get a credit card.
In conclusion, I’d like to demonstrate my ability to simplify a movie’s raison d’etre from the trailer.
(Summoning deep slow-paced Movie Preview Man voice) Christian Mingle: Because Lord Knows, A Woman Without A Man Is Worthless. (Speeding up now) Coming to a theater near you.
Life In The Oil Fields Is No Movie
Well, that’s not entirely true. One movie came to mind on about day four as I was beginning to realize that a lot of family, not to mention my one friend, would want to know what exactly it was like to work on a rig. Maybe even you are curious to know. Here’s my best effort to convey understanding and feeling of the job, and why it appeals to me.
It’s a lot like Lord of the Rings. Like the quest to destroy the Precious, in which all participants agree that there is no value in attempting any action that does not assist in accomplishing that invaluable end, the oil fields have one goal. One. Every single activity supports that goal. In other words, the concept ‘efficiency’ has yet to be developed as there is no need to distinguish efficient action from inefficient action.
Also like LOTR, meals are on the go. And every once in a while a Legolas shows up with a food whose calorie content is such that “one small bite will fill the stomach of a grown man.” Naturally, the food is consumed with little regard for this fact. And in similar fashion to Samwise’s indefatigably loving disposition towards food, all conclude that it tastes great.
Moreover, there is a comedic relief at every turn, and something about the nature of being part of such a singular mission attracts people with fully-developed personalities. Put simply, characters abound.
Lastly, just as no one but Frodo can carry the ring to Mount Doom, in the oil fields there is no one else coming to do the work. If something heavy must be lifted, if something stuck must be unstuck, if something dirty must be cleaned, if someone clean must get dirty, that’s what must happen. Nothing stops the mission. Not the clock, not the weather, not the calendar. Not past performance, not best intentions, not relationships, not feelings. Nothing.
The ring must be destroyed.
It’s glorious.
As the Credit’s Roll–What It’s Like to Watch Fast and Furious Six with George
Bad guys fight for many things. They fight for fame, money, reputation–sometimes they fight just because they can. Good guys, on the other hand, fight for one thing: family. Because good guys fight for their family–because family is the only thing worth dying for–they do really cool things to win. And because we want good guys to win, most of us movie watchers give filmmakers a tremendous amount of liberty with little things such as physics. Of course, however, each of us has our own internal sliding scale when it comes to these liberties.
For instance, I found Dwayne “The Rock” Johnson’s 2-story, 30 foot leap from his moving (and ridiculously bad-ass) Humvee down onto an Indy-car-turned-wedge-with-possibly-magnetic-suspension believable. He’s a big guy. Surely those muscles are good for jumping and cushioning. My friend George agreed.
And when Vin Diesel leapt 50 feet to catch his woman mid-air (she’s also leaping) and has enough situational awareness and foresight to twist to his back so that when they land on an innocent bystander’s car’s windshield she is unharmed, I found myself lowering my just-raised-in-celebration arms and wiping a tear from my eye. Then, as that now dry eye checked in on George, it discovered he was wearing a large grin and nodding a hushed “Yes!”.
And when I hit STOP on my timer as the giant bad-guy-filled Russian Antonov cargo plane finally comes to a halt on the runway, along with the smiling good guys and their many cars, I discover the car/plane chase that just happened on a runway that can’t be longer than three miles at speeds somewhere near 120 mph lasted all of thirteen minutes. And that’s impossible. Then, I quickly remember that my limitation of the runway’s length to three miles is because that’s about how long the longest runway in America is. I have no idea how long runways are anywhere else on the planet, and the scene did not happen here in the States. And in that moment, the scene became believable. Seemingly we both decided the point was not worth debating, so George and I silently waited for the anti-climax scenes.
Did I mention that good guys have great barbecues and hold hands while praying? They do. And sometimes, part of the table spread is an enormous bowl of baked beans.
“Did you see that bowl of baked beans?!” George exclaimed. “No way those seven people can eat all of those beans! Back it up. Tell me I’m wrong.”
So we backed it up. And the bowl was rather large and rather full. Not noticing it the first time, now that I saw it I just figured someone liked left-over beans.
George did not agree.
And now you know what it’s like to watch Fast and the Furious 6 with George.
The Last Transmission
“This is the last transmission we received sir,” General Moberly informed the President.
“Play it.”
Click
“I feel so immature, but if you must know, my last thoughts here are of the ending of the most recent War of the Worlds film. The one with TC. You know the part I’m talking about, right? The part when nature does what man couldn’t do. Yep, that’s what I’m thinking about right now. It’s kind of funny really. Three nine-month one-way trips to a distant planet. Three successful landings. And we’ve been here for six years, nearly thriving. All twelve of us. And now this.
“No, it’s not martians that are going to wipe us out. No, it’s not bacteria. No, it’s not a lack of supplies. What’s killing us is an asteroid that’s arriving in a few minutes. Of course, it’s not going to hit us directly. Instead of a nice clean death, we’re being told that we’ll see it, feel the Mars shake beneath our feet, and then within minutes the aftermath of debris and shock-wave will rip apart everything we’ve worked so hard to build. First, the dust will erode the domes, then our suits, then our skin, and finally our bones. Apparently the cosmos doesn’t like us humans squatting wherever we damn well please. Well, I say fuck the cosmos. Sorry ma. But whoever’s listening needs to know that everyone here knew the risks and is content with this end. Don’t stop exploring. You can’t let this change anything.
“Okay, this is it. Wow. It’s so bright. I didn’t expect it to be for another two-minutes. I’m sorry for everything! I don’t want to die!”
Click
“Is that it?” asked the President, “Everyone’s dead? The base is destroyed?”
“Yes sir.”
“Well, then. It seems to me there’s only one thing to do,” the President continued.
“What’s that sir?”
“We’re going to honor their wishes. Get me NASA. And schedule a press conference. We’re going to Mars.”
“Yes sir!”
The Motion Picture
Our widening eyes betray our excitement. The air conditioner kicks on as we finish up our cereal. It’s ten-thirty. We’re going to go see a movie after she comes home from work. We feel like framing the note she used to share this fact with us, and yet, somehow we know this wouldn’t be a strong enough commendation. Instead, we re-read it a hundred times and blacken our fingertips as we vigorously review the showtimes in the day’s newspaper.
Scanning the areas she’s most likely to notice upon entrance, we clear the table of dishes, pick up a few pairs of shoes from the hallway, and make a few lines on the carpet with the vacuum. It’s perfect. Nothing will detour the event.
During the car ride, the escape begins. Upon purchasing the tickets, we forget that an entire world exists outside the theater. The pit stop before heading into the theater is where we last think about eating or drinking ever again. The previews, the last time we consider looking any direction but forward. The final removal of light marks the beginning of what we hope will never end. Good-bye pain, good-bye disappointment, good-bye change, good-bye ambiguity, good-bye senselessness, good-bye sadness, good-bye despair. Hello clarity, hello love, hello passion, hello happiness, hello resolution, hello caring, hello hope.
Hello hope.
Captain’s Log 