Category: Reviews
Part 1/5 – Review of American Sniper by Clint Eastwood
By Request
Reactions to recent posts have had an unintended consequence of making me believe you wouldn’t mind reading more about my military related struggles with the hopes of understanding your less talkative family members’ own strife (using the timely film American Sniper as a vessel). I am flattered and have decided to accept the charge. As you’ll see, though, while I began doing it with you in mind, I gained a clarity relevant to my own life. I saw how this challenge will help me. So that’s why I’m really doing it. But I believe that help is help is help, and that means if it helps me, it might help someone else. So here we go. Together.
Today I’ll set the stage with my criteria for the film review. Throughout the rest of the week we’ll get into the nitty gritty.
A magazine writing course taught the importance of asking yourself what your article, your story, is about about. Lucky for you and I, I recently came across a movie review that put that concept a bit more clearly. “It’s not what [the story’s] about. It’s how it’s about it.”
American Sniper is about PTSD. There should be no argument there. How does Eastwood go about PTSD? Lazily. Embarrassingly so. (Want a movie that doesn’t go about PTSD lazily? Check out David Ayer’s Harsh Times.)
Sniper’s story is fairly straightforward. There’s this tragedy that is inconceivable. Top US sniper Chris Kyle who only recently is beginning to overcome PTSD’s effects is killed by a veteran he was helping to overcome PTSD. Though you don’t find this out until just before the credits roll.
Surprise endings don’t do it for me. They never have. Consequently, I don’t mind spoiling this movie because the issue–PTSD–far outweighs any entertainment value that the surprise ending provides. Let’s be honest, movies don’t change the world anyhow. Stories do. And for me, if a story relies on a surprise ending for strength, besides being lazy, its power is diminished upon each subsequent telling. This thinking inevitably leads to: any story that loses power with each telling isn’t worth telling in the first place. (Test the Greatest Story if you don’t like my thinking.) But again, it’s not Sniper’s story that is lazy (powerless), it’s Eastwood’s telling of it–how he went about it.
Maybe I’ve just seen more movies than most folks, but I was bored during the first half of the film. For most of it really. Not because I’ve been there or done that. But because every other recent contemporary war movie has been there or done that, and in most cases done it better. Two examples stand out prominently. The Hurt Locker for juxtaposition of home life vs. deployed life (ref cereal debate) and Zero Dark Thirty for realism (ref “Usama…Usama” whisper). As moviegoers, we’re not in a vacuum. Eastwood should’ve known better. He had a story that is so inherently powerful there was no reason to tell it in such a way that places it alongside those two films in my mind. Yet there it sits. Rather than do the story right, he (lazily) chose to compete and he loses. Like my brother often says, “It would have been a good movie…if every other movie hadn’t already come out.” In my words, American Sniper is a lazy telling of a story whose intended audience deserves better.
****
Outline For The Week:
Tuesday – Was it relevant that he had more confirmed kills than any other sniper?
Wednesday – Never mind how I felt while I watched the funeral procession, how do I feel now?
Thursday – But, then, what do I know? I don’t have PTSD.
Friday – Or do I?
I Love Filmmaker Michael Mann
He is the absolute best filmmaker ever. Hands down.
My favorite film of all time is Last of the Mohicans. It is probably no coincidence that this is also the first film of his I ever saw, and it might be the first rated R film I ever watched. I know for sure that at the time I didn’t even know his name or, for that matter, that movies were made by different people. While most people I run into shy away from ever choosing their favorite, my training prevents me from fearing and so after much deliberation, to repeat, I proudly pick Last of the Mohicans.
I say all of that to introduce the fact that any movie buffs can imagine my shock when upon completing Heat in college I discovered that in that crime tale–the first time Pacino and De Niro gloriously face-off on film–again, it was Mann at the helm.
My memory is a bit fuzzy at this point, but I think my next it’s-a-small-world-after-all shock was discovering that he created one of my mom’s favorite early-80’s television shows–meaning I’m pretty sure she watched it while I was in the womb–Miami Vice. It shouldn’t take much convincing then that when I heard he was making a stand alone film of Vice, I lost my breath. (“Do you dance?” “I dance.”)
After heading to the local video rental store to get caught up with Thief, Manhunter, and The Insider, Ali marked the first time I saw one of his films in the theater. And you can bet I was first in line for when he teamed up with my raision d’etre, TC, in Collateral.
Naturally, my younger brother is also a big fan. Not as big, but big. So to cap off his bachelor party ski extravaganza he and I went to see Mann’s latest release Blackhat. It has been a long time since I left the theater believing that someone knows how to tell a story to adults. I had hoped Interstellar would end the streak of disappointment, but I have to agree with the masses that while very, very good, it was also a little silly. Not Blackhat.
What makes Mann stand head and shoulders above the competition? Pacing. His pacing. No one else comes close.
Now, we’re all adults here, right? You know how there is a standard line during sex where when in passion’s throes one partner sensually requests that the other develop the bliss a little more competently? When, in a voice that quiets to little more than air rushing by your ear, you hear the plea, “Don’t rush”? Well Mann’s grasp prevents his lover from ever contemplating such a petition. Unlike most other film makers, he is in complete control. There is no doubt that every particularity of every moment is exactly as he wants it. There is no “film by committee” with him. It’s his way or the highway. And Blackhat reminded me of this once again.
Need one more example of how I know he’s the best filmmaker? I know because the previews for his movies are horrible. They are horrible because he doesn’t make previews. He makes movies. He makes motion pictures. He makes art. Could a single measure of Beethoven’s Ninth Symphony do that song justice? Or one star in Van Gogh’s Starry Night? No, the answer is no.
In a word, compared to Michael Mann, all other filmmakers are simply salesmen.
American
A text from my brother last weekend informed me both that Europe had recently been terrorized and that three (point seven) million people demonstrated unity in and around Paris. My thoughts were “no surprise” and “that’s seems pretty remarkable” in that order. Honestly, as you can tell by there being no post released this morning, the show of unity has actually rendered me speechless. (Mon and Tues were kinda already developed over the weekend). I’d love to comment on such a big event. But there didn’t seem to be anything to say. It seemed awesome that that many people gathered together. When was the last time that many people got together? I want to say the million man march way back when claimed a million, but it’s always hard to count. Several other marches here have attempted to gather a million people, but they never succeed. One million people is a lot of people in the same place.
But here’s the thing. I don’t think any relatives of terrorists were in that show of unity. Were any parents of terrorists there? Or sibilngs? Or first cousins? Second cousins? How about their children or wives, did any of them show up?
Scratch that.
I want to talk about America. There are three hundred sixty million Americans. Subtract the approximately seventeen million college students and their professors who believe the terrorists may have a point, and that leaves three hundred forty million Americans walking the streets in unity against terrorism daily. Does anyone really doubt our resolve? Where’s that headline? Where’s that photo op?
Moreover, the United States’ active duty military numbers over one million men and women. And these people are serious. They don’t march down streets of peaceful cities lined with world-renowned architecture. They walk down dirt roads lined with IEDs. It’s easy to let piecemeal news stories about a couple fuck-ups ruin the larger organization’s image, but honestly the only image that counts is the one that includes American men and women serving this country today, American men and women who put their family through hell and risk their own lives near daily, American men and women who volunteer to do this because they were born (or fought their way) into a country that knows its way of life is better and worth sacrifices, American men and women who are constantly setting higher standards of honor, respect, service, integrity, excellence, decency, dignity, and a whole host of other virtues unlike any of their armed predecessors, American men and women who travel away from their neck of the woods to yours because you can’t get your shit together.
So yeah. It was neat that over three million Europeans went to the park. But when are you going to impress me?
Review of My Church
Well, that’s a lie. It’s not my church. I’ve only been there once. But it was wonderful. And I will be returning every chance I get. The search is over. Finally.
For the record, I am a human. This is worth articulating because, especially when it comes to churches, I want to be treated like a human and not a farm animal. I don’t need to be herded, nor do I want to follow the herd. That said, as I walked into the building I was greeted and I watched as a woman took my name down on some sort of ledger with a pencil. Remember pencils? While there were no children-specific activities that day, I’m certain H- won’t have to be processed and tagged to take part in them next time.
Quickly finding George, I suggested we move closer to the front than where he had chosen and we did. Next thing you know, he and I are standing wide-eyed amidst the seated congregation at the behest of a young women who read off the names of all the guests. Little H- remained seated until our kind neighbors in the pew in front of us urged her to stand when the young woman asked for any guests whom she may have missed to also stand. H- stood proud.
This next part is probably a little too personal, but this is my blog so I’m writing it. It’s been a while since I’ve had much physical contact with anyone but H-. And she’s in that tight spot where I think she does it because she recognizes this. Anyhow, I’ve been thinking this probably needs to change. Touch is important, they say. Well, during an amazing baby dedication that lasted about ten minutes and crowded seemingly an entire extended family at the front, like thirty people, we were asked to stand and next thing I knew my hand was being touched by the lady next to me. I looked down before moving my hand out of her way and noticed that she was simply reaching out to hold my hand during the dedication thing. It was then that I looked around and quickly noticed that everyone was holding their neighbor’s hand. I joined suit and grabbed H-‘s little hand. Next thing I noticed (George too), H- was placing her limp hand in George’s. At the end, my kind neighbor gave my hand a squeeze before she released it.
Did I mention that the three of us were the most under-dressed folks in the entire building. I measured by layers. I had two. All the other men were at least at two, most at three. Probably half the women had hats on. These people dressed with a purpose. And yet they were naked. Can you understand that?
I thought the roof was going to come off at one point during the worship. Talk about Holy Ghost power. A real piano, an un-amplified small drum set, and an organ accompanied a real, though small and old, choir. Though I’m sure no one could hear us, George and I both sang.
Finally, we came to the Word. And here’s where I discovered what I have been looking for all along in a sermon. A sermon shouldn’t be smug. A sermon shouldn’t cause my mind to distractedly go academic on it. A sermon shouldn’t teach beyond its speaker’s–nor audience’s–intelligence, nor should it dumb down that which cannot be in order to meet the audience. We’re talking about a sermon. A sermon shouldn’t be chocked full of witticisms, nor jokes. The preacher needn’t prove “even though I’m a preacher, I can be funny, see?”, nor should he tell some inside joke that requires his giving a politician’s knowing nod to some poor soul who will undoubtedly feel a little too special for the rest of the afternoon and at the same time causes me to wish it had been me. Most important, I realized that I want a sermon which is a sermon. Not a presentation. Not death by powerpoint. Not a motivational speech. And the sermon that day was none of those things. It was more than those things.
Afterward, we lingered. People lingered. We met the pastor. Oh. And did I mention the service’s total duration was over two and half hours? 10:30 start, when it was over I pulled my phone out and it displayed 1:15. And it did this without filler like Broncos mentions, professional videos with floating words, or hollywood movie clips.
Walking to our cars, George said it best, “Pete. This was by far and away the best church yet.”
Review of the Mega Church
I’m at a loss. I thought I knew what to expect before going, but there are just some situations in life that can’t be prepared for apparently. Most recently, the situation I’m referring to is attending a mega church. Now you know as well as I do that I’m not talking about anything that has to do with a church’s size. As an example, recently while I was visiting family in Kansas City I attended the largest United Methodist church in the USA. It is not a mega church.
Back in Denver, I visited a mega church last Sunday. What a joke. Seriously. There is no possible way someone can read a single verse from the Old or New Testament and conclude that a mega church is what any of those folks envisioned. The only people I can think of who envision a mega church as having something to do with the gospel or first or second century churches are tenth-graders who just got back from a week-long church camp. Oh, and people who were never taught that it’s okay to have a lot of money. (If you happen to be one of these wealthy heathens, check out Peter Drucker’s idea about profit in his book Management. It explains your dilemma most succinctly, I think. Profit equals responsibility–nothing more. And, yes, we’re all watching you and evaluating your decisions. So please lead by example).
Most church services have a specific routine. They begin with worship, pass the offering plate, preach, sing one final song, and release people in time for football/nascar. Conversely, the mega church begins with preaching. The preaching seems genuine, is crazy professional, and refers to bible verses a few times to help us remember the reason we showed up in the first place. Then, after the preaching comes the worship. It’s a rock concert. Super professional. It’s also difficult to imagine it is at all authentic. I couldn’t help but picture the musicians practicing putting their hands in the air at specific moments in the songs much like Kirk Hammett of Metallica does in the tuning room before he takes the stage. Imitation is the sincerest form of flattery, I guess. Next, only after the crowd is softened up for an hour does the offering plate get passed around. Finally, as if seventh-graders embarrassed to be seen at Kmart with their mom, the auditorium crowd disperses quickly. Now, you might be inclined to think this is because they’re busy people, what with having to painstakingly decide how to spend all that money, but I think it’s because they know what you and I know. That it’s a lie. The whole thing. One. Big. Lie.
But if it makes you feel good and no one gets hurt, what’s the harm in doing it, right?
Teaser for Pete Deakon’s New Book: The Divorce and Doom of Simon Pastor
You know how movie teasers and trailers are fun in and of themselves? Well, here’s the teaser for my new book. Enjoy!
A black screen disappears in favor of a silent scene of a bloodied, weeping man trying desperately to beat down an apartment door; inside the apartment is a slouching drunk wearing a look of frightening resignation and throwing his nearly empty tumbler at that door; curious music now accompanies the camera as it closes in on the drunkard’s painful expression of doom. As if a film projected onto his eyes we see video of a beautiful woman leaning in expectantly towards that same man, though younger and full of life. His eyes dissolve out of the background and we now see the man jealous of the woman as she dances the night away with others; then an engagement; then the music quickens to frantic as the pace of the montage of already short video clips speeds up until they are not much more than still images in which we see yelling, fighting, painful looks, divorce papers, fear, and hurt.
Then the screen returns to silent black and the text “The Divorce and Doom of Simon Pastor” appears. As it fades away the text “Coming Soon” takes its place almost in a whisper.
Review of Entering the Real World, by David Kramer
Christmas is around the corner. Going free association for a minute here, I’m thinking kids opening presents. Kids means youth. Youth means ignorance. Ignorance means needing instruction. Needing instruction leads me to push responsibility to someone who cares to teach and has a knack for it. And that leads to David Kramer. Since he can’t be everywhere at once, he wrote a book. It is called Entering the Real World: Timeless Ideas Not Learned In School. (Buy it today and use promo code RLEGEN14 for 20% off).
Like his namesake, in his new book David stares down and defeats the Goliath that is the real world. Kramer moves swiftly and purposefully through his list of 149 helpful tips. Yet he goes further than most of his peer’s books and provides substantive “take action” steps to help those of us who read this genre and often think, “Great. But how do I actually do it?”
You know who you are. You have children, nieces, nephews, maybe grandkids that need useful gifts this holiday season. Schools don’t teach what we all know would’ve been nice to learn before we entered the real world. David does though. And he’s good at it. Buy the book. Give it to a young person. Improve a life.
Captain’s Log Now On Kindle
I started writing the posts that make up this book April 20, 2012 after serving for eight years as an Air Force Captain and pilot. The most common response readers give is a smiling, head-shaking look of disbelief that is sometimes sprinkled with joy. What no one has said–but I’m confident all feel–is that after reading these posts, after reading this book, they know they are not alone. And that’s the truth. You are not alone. And the only way to get there is together.
From Professor Batman to A Jaw-Dropping Woman, Captain’s Log April 2012-2014 is now available for Amazon Kindle. Purchase it here for only $2.99.
Review of There Will Be Blood, by Paul Thomas Anderson’s Agenda
The only reason anyone works to pump oil out of the earth is greed. Greed only spawns more greed which eventually creates (or perhaps is a catalyst for) a downward spiral of human vice that passes through selfishness, hate, betrayal, and ultimately murder. Or at least that’s what Paul Thomas Anderson’s award-winning There Will Be Blood wants us to believe. As much as false-prophets–con-men–deserve to be hated, it is impossible not to hate Daniel Day-Lewis’s remarkable portrayal of oil tycoon Daniel Plainview more. And in hating Plainview, it’s difficult not to hate oil.
People hate oil.
Funny to read, isn’t it? It rings true, but it really isn’t. It’s no more true than if we said people hate dirt or people hate wood. It is foolish to make these inanimate, naturally occurring objects the object of our hate, just as it would be to make them the object of our love. They merely are. But we can certainly hate people. We can certainly hate ideas.
Maybe people hate oil men. Maybe people hate their own ignorance of geology. Maybe people hate what they don’t understand. Surely people hate greed.
It seems wherever oil is under the earth American troops are over it, and service members who deploy to the middle-east are bombarded by activist’s propaganda filled with facts and figures which encourage hating Texas Oil Men George W. and Dick Cheney. And Halliburton and KBR and Lockheed Martin and every other group of people that could be lumped into the war-for-profit-is-clearly-a-bad-idea category. Tightening the frame dramatically, I needed no encouragement to hate my aircraft commander on my last deployment. I astonished even myself with how little prompting it took for me to heap some hate on my sister and her small group.
Finding myself in the oilfield here in Colorado, I occasionally hated living in the man-camps. I hated being away from my daughter. I hated her mom for wanting to see her for more than her half during my days-off.
Similar to all men, hate and I have had a long and storied history. Luckily, I have a friend named Kirk. One day, years ago, I told my friend that I was floored to discover that a Kelly Clarkson pop song included the sage lyric, “For hating you I blame myself.” Being the good-natured midwesterner that he is Kirk didn’t miss a beat and replied, “That’s right Pete. Hate comes from within.” Doesn’t it though?
And that begs the question, “Will there be blood?”
Anderson made an excellent film. It is an excellent portrayal of greed from both ends of the spectrum. But in making the film relevant for the masses, in using oil as the backdrop, he, perhaps unintentionally, allowed the oil to obscure a greater truth. Hate, greed, everything comes from within.
Review of the Critics of Transformers 4, By Michael Bay
The first Transformers movie will always have a special place in my heart. Instructor pilots of mine piloted the MH-53 that was the movie-opening Decepticon “Blackout”. Michael Bay even hand chose the pilot that marked me “unsatisfactory” once to be the hologram that “piloted” Blackout and later had a scene in the police car that interrogated Ladiesman217 (Shai LaBeouf).
I need a minute.
Okay, back to the review. Then came the second and third installments. Admittedly they were less than inspiring.
Then number four lost LaBeouf, but gained Marky Mark. Not interested enough to see the film in the theater, I started watching it four weeks ago, and finally finished it yesterday. Why did it take so long? And why did I persist, you ask? Because Optimus Prime riding a T-Rex Dynobot only happens once in a lifetime. And because that darn scene didn’t occur until the 133rd minute in the 165 minute film. But I still got goosebumps. It is awesome.
Here’s what some reviewers said about number 4 on Rotten Tomatoes:
“In the end, though, this is still a movie about giant robots fighting each other, which is to say it’s nearly impossible to take seriously on a narrative level.”
“Inflated, interminable and incoherent …”
“Transformers: Age of Extinction is simply more of the same mindless action, flat characters, and utter boredom that we’ve come to expect from these bloated mechanical sequels.”
And my personal favorite:
“Transformers have souls, this movie repeatedly tells us, but does Michael Bay?”
Know what I say? I say Michael Bay has a soul and it is the soul of a genius. Stay with me. I began watching this movie after listening to H- play for hours on end with a Beauty and the Beast doll set. The set included Belle and a few dresses, the human prince, and a Beast suit to put over the prince. (She hasn’t seen the movie yet.) These three characters became Belle, Belle’s father, and Beast (never mind he doesn’t have legs). And soon thereafter a lego character entered the mix so that it was an even two-on-two. Good guys became bad guys; characters that died came back to life; Beast was always asleep in the moments before only he could save the day. You know I love this child, but listening to her play can be mind-numbing.
Now, I can memorize a two hour movie’s story-line after one viewing, yet can’t follow, let alone repeat, H-‘s story-lines. Michael Bay, on the other hand, can. If you watch Transformers 4 as if you’re watching a four-year-old holding the actors and robots alike and performing all the voice acting, then the movie is perfect. Simply perfect. All the characters are yelling, injured, needing help, fighting, crying, whining, dying, or repeating some cheesy line they probably just heard the day before on TV. Even the scene where the boy and girl kiss after the victory seems like a child is forcing the two of them together while saying, “Mmua, Mmua” and thinking, “Eww gross”. The poor kid knows kissing is what happens when good guys win, but doesn’t understand why.
The genius of the movie and what the critics forget is that it is quite literally a movie about toys in the first place. Perhaps it is the 2007 installment that should be viewed as the fluke. But now with the fourth installment we’re finally getting to the heart of why Transformer toys and Transformers 4 are so great. And all these nay-saying critics probably don’t recognize that when they got big, they became the guy from Big who thinks that there’s something fun about a building that turns into a robot.
Captain’s Log 