Tagged: Writing
The Idiot At Kohl’s
After passing through the doors at 9am, he walks up to the nearest manned register.
Perturbed that she didn’t immediately speak up upon his approach, he clears his throat and asks, “Excuse me. I was wondering if there is perhaps a sales associate who can take my measurements for a suit? I have to order a tux online for my brother’s wedding, but I don’t know my measurements for the shirt and coat.”
She looks mildly confused but after a moment’s consideration replies, “You’ll have to go back to customer service for that.”
“Thank you.”
The line at customer service is short. The problems are not. Finally, it is his turn.
“Um, yes. I just need some help with finding my measurements for a suit. My brother is getting married and I have to reserve it online, but I don’t know my measurements. Do you have someone, maybe in the men’s department, who can help me with that?”
The bewildered woman silently stares at him when she suddenly remembers something. Pressing her radio button, she says, “Jewelry: I have a customer here who needs you to take his measurements.” Then she turns to the man and says, “Just head on back to the front to the-”
“Yes, I heard. Jewelry department,” he concludes for her, seriously considering skipping the wedding.
Before he is able to leave the area, an associate more experienced in customer service stops him.
“Excuse me, sir. What did you need help with?”
Annoyed at this extra and unwanted attention, he only slows his walk as he explains, “Oh, I just need some measurements for-”
“Well what size shirt do you wear?” she interrupts.
He freezes mid-stride and wishes he would’ve said, “Perhaps you couldn’t tell, but I don’t know my size. That’s why I’m here. I don’t know my size because I’m an idiot. What’s worse is you should have recognized me for what I am and ignored me. But you didn’t. It seems I may be contagious–all the more reason to let me by unmolested. But, again, you didn’t, so now you get to listen. The clue you missed was that you were talking to a man standing in a Kohl’s because he believed that someone employed here would have the dexterity to use a tape measure to help a brother out. In any case, please stop talking to me now. Mind you, I don’t point the finger your way for causing this situation. I accept the blame readily. You see, just like you, I should have recognized I’m an idiot because only idiots would shop at a store where everything is always 70% off. By definition that’s not possible. And now I have a question for you. What’s it like to work for a company whose destruction would improve the world?”
****
All below units are U.S. Customary
Neck – 16 1/2″
Chest – 42″
Sleeve – 36″
Brain – Pea-sized with little room for growth
Mr. Williams
By Request
I took a course in college called “Mass Media and Communications”. I can’t remember the reason. But what I will never forget is one of the lessons. This was back in the early 2000s, so HDTV (1080p etc) wasn’t prevalent yet. The professor taught us how a television worked. I had no idea before then. He explained that a device inside the box quickly draws a very thin line–two hundred forty evenly spaced lines actually–across the screen. Then on its return trip, this device fills in the blanks just left with another set of lines. That’s where 480i (NTSC) comes from. Old televisions in America had 480 “interlaced” lines. Now we all watch in some level of progressively scanning lines, meaning the picture is fully refreshed each trip across the screen and the image is high definition. Now you know.
What all this techno-mumbo-jumbo means to us mortals is that the images on the television screen are an illusion. They’re not really there. Different than a painting, sculpture, or the words and images in a tangible book/magazine/newspaper, which we can really see and feel and touch, the images on the television screen are an optical illusion. Our brain is able to put together all these rapidly moving lines and we think we see a man or woman or if you’re four and a half years old, it seems that all you see is an Octonaut.
But the truth is there is nothing there. There is only an illusion. Mr. Williams is not in our living room. Only a powerful illusion that our brain wants to believe is a trustworthy man named Brian Williams is there. But even that is not true. This illusion isn’t on or in the television, the illusion is in our minds.
The question then becomes, “Can an illusion lie?” I say no. I say there is no non-fiction television to begin with. How could there be?
If there is anything to be learned from current events, it is that we’ve allowed ourselves, yet again, to be fooled. The new question, the only question I see remaining at the end of this is, “How many more times will we let it happen before we turn off the TV?”
Through His Eyes
A bitter poem as the worst holiday ever conceived approaches dreadfully slow.
Longsuffering does not mean suffering through long hours at work to buy you jewelry.
Longsuffering does not mean suffering through long lines with other procrastinating men to buy you flowers.
Longsuffering does not mean suffering through long years of staring at some perplexingly huge teddy bear that got me laid once.
Longsuffering does not mean suffering through long explanations about why you can’t make friends with women.
Longsuffering does not mean suffering through long lists of men’s names who you thought really loved you.
Longsuffering does not mean suffering through long years of hoping you’d get the clue that I wanted to be more than friends.
Longsuffering does not mean suffering through long periods of silence as you conclude life is as your dad said it was, not as you wanted it to be.
Longsuffering does mean suffering through long days and nights which add up to years of wondering where the hell a woman worth her salt hides and if I will even be able to recognize her.
To Touch or Not To Touch
“And how old are you, Daddy?” H- asked for the third time.
“I thought I told you earlier today, H-, I’m thirty-three,” he said.
“Well, I’m four and a half,” she responded. “When I’m thirty-three, how old will you be?”
Taking longer than he’d like to admit, he finally concluded, “I’ll be fifty-two. No, wait, sixty-two.”
“And when I’m sixty-two, how old will you be?”
“Hmm, I’ll be,” he paused to do the math again. “I’ll be ninety-one.”
“And when I’m ninety-one, how old will you be?”
“Well, I probably won’t be around,” he said, figuring she mentioned death enough while playing with her stuffed animals that she’d get the point.
“Where will you be?” she asked with a look of simple confusion.
“Never mind. You’ll have your own kids and they’ll have kids and they’ll have kids when you’re ninety-one.”
“I’ll have kids?”
“Probably.”
“Like one?”
“As many as you want.”
“Two hundred and,” she paused, “nineteen.”
He laughed.
“Sure, H-, you can have two hundred nineteen kids.”
“But then my belly will explode!” she said with a giggle.
“Well, not all two hundred nineteen will be in there at once.”
“I think I’ll have two kids,” she said, revising her desire drastically.
Playing along, he said, “Okay. And sometimes two kids can fit together.”
“And they will not touch the stove,” she said, wagging her finger.
Looking at her and smiling, he thought, “And there it is. Seems I probably was too dramatic on that lesson last week after all. I’ve been wondering about that. Noted.”
Then he said aloud, “Yes, H-, they probably shouldn’t get in the habit of touching the stove.”
Arpicembalo Che Fa Il Piano E Il Forte
“Large keyboard instrument that produces soft and loud (Barron 95).”
At seven feet long, six hundred seventy pounds, and taller than a toddler, it demands attention. But for a few aesthetic nuances, there is purpose in every handcrafted stationary and moving part. Equally beautiful and functional, the black behemoth exemplifies creativity. Neither do its origins disappoint. Cristofori’s problem was monotony. The harpsichord produced one sound. The strings were plucked. No matter how hard or soft the musician pressed down on the keys, the resultant volume was the same. But life’s spark would not let the matter rest. He sought both soft and loud, and henceforth created a new connection to the Infinite.
Mystifying in its identical name, the keyboard these words are typed on sits atop a wooden table in a room whose walls and closed blinds seem inclined to constantly advance inward. The piano keeps them at bay. Its weight symbolizes its persistence to preserve its place in this world.
The words begin to grow short. The afternoon advances. The man approaches confidently, if lazily. As he steps around the bench, his body brushes against the hanging blinds. He pulls his hand up short of the light switch. As if unable to contain a joyful secret, the swinging blinds reveal the sun is shining. He opens them and smiles.
There is nothing, I mean nothing, that compares to playing the piano in the light of the sun.
*Barron, James. Piano: The Making of a Steinway Concert Grand. New York: Times, 2006. Print.
Part 5/5 – Review of American Sniper by Clint Eastwood
I am a very fortunate man–more than fortunate. Though I can’t assess that it is random luck. I attempt to live honestly and not just honestly, but nobly. And the historical record proves that that behavior tends to be noticed and supported. I wouldn’t change anything about how I live. Until today.
I’d like to point out that I think I told at least one reader that I didn’t want to watch this movie. I mean, I wanted to, but I didn’t. I didn’t want to watch it because I didn’t like how I felt after watching The Hurt Locker. I didn’t want to watch it because I knew he was going to open the door to the adjoining hotel room in Flight. I didn’t want to watch it because I have known for a long time that like Eastwood’s portrayal of Chris Kyle while he talks to his wife on the phone from the bar in America rather than in person upon arrival back in the US because he “needed a minute”, that like Kyle, when I got back I needed a minute. Unlike Kyle, I have never admitted it. Well, today I’m admitting it. I needed a minute. More than a minute, I needed a week it seems, and honestly, I guess I needed nearly eight years.
I don’t know if I experienced enough trauma to conclude that I have PTSD. And frankly, I don’t see how applying the word disorder to myself could be viewed as anything other than immature white whine. Also, I’m not sure what practical steps follow such an admission. But that’s just me.
I do know that I drink too much. I also know that “too much” sounds less harsh than to say I have a problem with alcohol, so let me try again. I have a problem with alcohol. I know because of how I defend my drinking habit if it’s called into question. I know because any story/movie that remotely comes close to pointing out how alcohol destroys some people makes me think I should probably cut back. I know because I feel like a liar that is about to get caught. I feel like this for too much of too many days as I press on in my new life and start to meet both ugly and beautiful smiling people that I do want to spend time with.
I know because when I saw Eastwood’s lazy film American Sniper I knew exactly how I would have made it better and in doing so made it speak to me. And if I know how to make a movie about coming-to-Jesus moments speak to me more clearly, it’s because I know I needed to be spoken to.
So I’m done drinking. And as I am forging ahead in my new life as a writer, it seemed appropriate to announce my decision via the blog. More because of the cold H- transferred to me than anything else, I haven’t had a drink since the uninspiring visit to the empty dance floor two weeks ago, and so I’m calling that the day I stopped. I’m not exactly sure what I’m going to do about this practically, but I am pretty sure the first step in problem solving is to recognize the problem. Done. I guess that leads me to a second mention of step two for the week: gather the data. Sounds fun.
In the end, I guess I need to thank Mr. Eastwood’s lazy-good-for-nothing-too-old-and-too-tired-to-make-a-good-movie guiding hand for pushing me to my breaking point. He’s just the best, no?
This isn’t going to be talked about much on here after today, but I mention it here because at the end of the day, the inescapable truth is a blog is for its writer, just like this commitment is for me.
Have a great weekend.
Part 4/5 – Review of American Sniper by Clint Eastwood
But, then, what do I know? I don’t have PTSD.
I don’t think I have PTSD. I just don’t. I didn’t see any crazy shit. I didn’t really hear any crazy shit. I just woke up, briefed, flew, debriefed, and went back to sleep. Honestly, that was it. Don’t ever go thinking you’re reading the words of a man who was in the mix. I’m not saying that there wasn’t any threat of danger, but no, I didn’t do or see anything that qualifies as traumatic.
But say after learning the ins-and-outs of what I did in Iraq you’ve convinced me otherwise. Say you brought in some nerdy looking dude with pleated khaki’s and unbreakable eye-contact. Say he pointed out that my life has kinda turned into a wreck since deploying. Say he pointed out that since leaving the military three years ago I have had and quit five jobs (I have a hard time dealing with what I perceive as disrespect), got divorced (totally unrelated to anything), am currently unemployed (though wrote and self-published a book and am half-way through my third and am not in debt, mom) and probably drink more than I should or, hell, just more than I ever did before deploying (but have only ever really regretted one decision I made while drinking). Say that he’s broken me down and we’re getting misty-eyed together. I’ll tell you what will dry my eyes real quick. Putting beautiful smiling people at the end of the tunnel. If all he can tell me is that by the time I find myself outside of the tunnel, by the time I have removed my hand from between the bright light and my now-adjusted eyes, if all he can tell me is that all along it was beautiful smiling people that make up the light, then I’ll open the door and kindly show him the way out. If there are any people who I’m confident do not have a clue about happiness, it’s beautiful smiling people.
You know what I want at the end of the tunnel? I want people to stop believing that anything on a screen–whether a laptop, a phone, a tablet, a movie screen, or the goddamn television set–has any value whatsoever in aiding veterans with PTSD. Want to know what does have value? Humans. Those real, fleshy people who have all the opportunity in the world to make every other decision than offer their help. Men like Diarmuid, Robert, and Ron. Real people who took real chances on a veteran, a veteran who doesn’t have PTSD.
****
Tomorrow – Or do I?
Part 3/5 – Review of American Sniper by Clint Eastwood
The movie ends with what appears to be the real footage of Chris Kyle’s funeral procession. Hundreds, if not thousands of well-wishers lined the highways. American flags almost outnumbered people, and a few cranes were even used to hang an enormous flag high against the skyline. I’d be lying if I said I cried because honestly, while I remember crying during the movie, I can’t remember if I cried at that specific moment. What I do know is that I was very, very sad–no different from you I’d guess.
But now it’s Wednesday and the immediate effects have worn off. So how do I feel about that funeral procession now, today? A little anecdote is necessary to explain it.
Judging by the fact that the show was cancelled after a single season, I’m pretty sure no one will remember an HBO show called John From Cincinnati. It came out after Deadwood ended and it had the same writer. Well I thought the show was just fantastic. One thing I learned from it was how to feel about the familiar, black POW/MIA flag. Up until that tv series I never wanted to look at the flag or think about it or even acknowledge its existence. I had no context for it. For whatever reason, I felt that I should be sad when I thought on it and its meaning, but I honestly didn’t feel sad or really anything when I saw it. And that embarrassed me. But then in that goofy little show there was a character who was a Vietnam veteran who showed me the way. The dude was pissed. Anger was his idea of the proper emotion to associate with the POW/MIA flag. The gist of his sentiment and why he proudly sported the flag was, “Our motherfucking government took these boys outta their home and lost them. That’s not right and needs to be fixed.”
With that in mind, how do I feel now about the procession, now after the emotions that the film stirred have calmed? I feel like only I understand what all those well-wishers wanted to communicate that day. I feel like no one else gets it. I feel like everyone who has seen Sniper and loves it, all they saw was some level of patriotism and/or patriotic support. But I know the truth. The truth that I know is that all those people who took time out of their day to line the highways did so because they wanted to communicate a solidarity that it wasn’t right for the government to put a man through what Kyle went through. Why would his leadership do that to him? Did they think it was fun? Did they like that their ‘boy’ was racking up their numbers? Did they want to be able to have a bullet on their performance report that said “rubbed shoulders with most lethal sniper in US military history?” Why would they keep sending him in? If there is one fact that I am certain of, and that I would like to believe people who are leaders are certain of, it’s that motivated individuals will drive themselves into the ground if left to their own devices. I learned this about myself through the most embarrassing experience of my life. Only a handful of people even know this prior to now. Want to know how lost I became as my wife and I sat alone in our town home for nearly three weeks after my first deployment, me being either drunk or hungover for the duration? I arrived at a place where I heard a nice sounding legal assistant on the other end of a phone hurriedly whisper, “You can’t ask that. You can’t ask what the punishment will be for going AWOL if you haven’t left.” A lifetime of leadership and decision making training was being put to use to gather all the data (step 2) so I could make an informed decision that going to prison would be better than going back.
I ramble a bit here to illustrate that while I was sad as I watched that scene of the movie Saturday night, today when I think about that scene I am angry.
****
Thursday – But, then, what do I know? I don’t have PTSD.
Friday – Or do I?
Part 2/5 – Review of American Sniper by Clint Eastwood
It’s no secret that we love people that are the best at something. We also respect military members tremendously, rightly so. So, as movie watchers, when we see that someone has made a movie about a military member who is the best at his craft, it is difficult to not be interested. (Anyone remember Top Gun?) My question is: Was Chris Kyle’s status as most lethal sniper in US military history relevant to the story Eastwood tells in American Sniper?
The story, remember, is about PTSD. Part of the reason I am taking an entire week to review this film is because some subject matter only ever has one reason to be put into a story. PTSD is one such topic. A movie about PTSD is made for only one reason. It is not made to enjoy watching, though if done well it might be enjoyable. It is not made to give non-veterans a glimpse of what veterans may or may not be going through after they return from deployed locations and/or combat, though if done well it might, in fact, provide a glimpse that they might not have otherwise gotten regarding why a loved one’s behaviors might be different than before. The reason someone tells a story about PTSD, especially in 2015 America, is because they want to help the surely tremendous number of military men and women who suffer, alone and quietly, as a result of their voluntary service.
So was his status relevant to the PTSD-centered story? The answer is yes and no.
Yes, I could admit that it was relevant if Eastwood’s angle was to show that “Look even the top sniper admitted he had PTSD and was able to find some peace after admitting it.” Yes, if Eastwood wanted to show that therefore there is hope for all because Kyle was able to begin to recover from it, then I can see his intentions were pure and he just didn’t manifest them very well.
But no, his status as top sniper was not relevant if he wanted to tell a story that would really help veterans. And here’s why. PTSD has a negative stigma. Hell, the word disorder is the D. Nobody wants to admit they have a disorder. What knucklehead academic even thought they were doing a good thing by terming a difficulty acquired from attempting to do good in the world a disorder? And of course everyone knows that the men and women who are actually around killing and death have experienced trauma (the T). But there are only a select few military members who are actually pulling triggers and having to duck on a regular basis. What about everyone else? What if they still experienced something that is causing their transition back to civilian life to be difficult? How anxious will they be to come forward when some Navy SEALs still might not be ready to admit they are having a hard time after they come home? How about pilots of the new remotely controlled aircraft that are pulling the trigger from half-way around the world and only seeing a black and white television image of a body going limp? Do you think they, when they think long and hard on it, actually believe they have anything in common with the macho dudes kicking in doors? Do you think they want to raise their hand when help is offered?
Here’s the truth that veterans don’t think to share with the world. We learn first-hand that every military member is capable of amazing feats. We know this because as we signed up we stereotyped and guessed who would do what when. But during our time in service someone proved our infinite wisdom wrong. Moreover, plenty of people never get the opportunity to demonstrate/discover what they hoped combat/service-before-self would teach them about themselves. By way of example, Chuck Yeager became an ace combat pilot in one day at age twenty-one. I didn’t even go to Iraq until I was twenty-five. And no enemy aircraft ever approached the slow helicopter I flew. Suffice it to say, I never did get my five aerial victories. (But I did log more combat NVG time than Yeager, which I am sure he loses sleep over.)
I have to believe that Chris Kyle admitted to someone at some time that he was just doing his job and while the status his circumstances bestowed up him was neat, he wouldn’t have cared if his tally put him last on some list. And I’ll even go one level further. If he really did care about helping vets like the story goes, (which I fully believe), I bet he’d trade every confirmed kill to help just one veteran.
In the end, we’re talking about telling a story to an audience who is short on hope. Seeing a finally smiling Bradley Cooper give a ride to the man who kills him, another afflicted veteran, just doesn’t turn the light on for me.
****
Wednesday – Never mind how I felt while I watched the funeral procession, how do I feel now?
Thursday – But, then, what do I know? I don’t have PTSD.
Friday – Or do I?
Part 1/5 – Review of American Sniper by Clint Eastwood
By Request
Reactions to recent posts have had an unintended consequence of making me believe you wouldn’t mind reading more about my military related struggles with the hopes of understanding your less talkative family members’ own strife (using the timely film American Sniper as a vessel). I am flattered and have decided to accept the charge. As you’ll see, though, while I began doing it with you in mind, I gained a clarity relevant to my own life. I saw how this challenge will help me. So that’s why I’m really doing it. But I believe that help is help is help, and that means if it helps me, it might help someone else. So here we go. Together.
Today I’ll set the stage with my criteria for the film review. Throughout the rest of the week we’ll get into the nitty gritty.
A magazine writing course taught the importance of asking yourself what your article, your story, is about about. Lucky for you and I, I recently came across a movie review that put that concept a bit more clearly. “It’s not what [the story’s] about. It’s how it’s about it.”
American Sniper is about PTSD. There should be no argument there. How does Eastwood go about PTSD? Lazily. Embarrassingly so. (Want a movie that doesn’t go about PTSD lazily? Check out David Ayer’s Harsh Times.)
Sniper’s story is fairly straightforward. There’s this tragedy that is inconceivable. Top US sniper Chris Kyle who only recently is beginning to overcome PTSD’s effects is killed by a veteran he was helping to overcome PTSD. Though you don’t find this out until just before the credits roll.
Surprise endings don’t do it for me. They never have. Consequently, I don’t mind spoiling this movie because the issue–PTSD–far outweighs any entertainment value that the surprise ending provides. Let’s be honest, movies don’t change the world anyhow. Stories do. And for me, if a story relies on a surprise ending for strength, besides being lazy, its power is diminished upon each subsequent telling. This thinking inevitably leads to: any story that loses power with each telling isn’t worth telling in the first place. (Test the Greatest Story if you don’t like my thinking.) But again, it’s not Sniper’s story that is lazy (powerless), it’s Eastwood’s telling of it–how he went about it.
Maybe I’ve just seen more movies than most folks, but I was bored during the first half of the film. For most of it really. Not because I’ve been there or done that. But because every other recent contemporary war movie has been there or done that, and in most cases done it better. Two examples stand out prominently. The Hurt Locker for juxtaposition of home life vs. deployed life (ref cereal debate) and Zero Dark Thirty for realism (ref “Usama…Usama” whisper). As moviegoers, we’re not in a vacuum. Eastwood should’ve known better. He had a story that is so inherently powerful there was no reason to tell it in such a way that places it alongside those two films in my mind. Yet there it sits. Rather than do the story right, he (lazily) chose to compete and he loses. Like my brother often says, “It would have been a good movie…if every other movie hadn’t already come out.” In my words, American Sniper is a lazy telling of a story whose intended audience deserves better.
****
Outline For The Week:
Tuesday – Was it relevant that he had more confirmed kills than any other sniper?
Wednesday – Never mind how I felt while I watched the funeral procession, how do I feel now?
Thursday – But, then, what do I know? I don’t have PTSD.
Friday – Or do I?
Captain’s Log 