Tagged: Writing
Grammar at the Edge of the Envelope
“Pilots are so much better than everyone else,” thought a young boy once. As a grown man, I think we should all agree with the boy. A few years ago, I found a spare moment hidden in Iraq of all places. That moment contained irrefutable proof that pilots are better than everyone else. Pilots are better because they live many lifetimes, while other people only live one lifetime. Confusing? Maybe it’d help if I said that pilots are better because they live many mini-lifetimes. Any better? No? Allow me to explain.
A mini-lifetime is the term I use to capture the three-part event of flight: takeoff, flight, and landing. In order for the definition’s perfection to become perceivable, you must understand that a lifetime has three key parts: birth, life, and death. To critical readers, I confess that there certainly are other professions or human activities that contain just three parts; however, I’m convinced you’ll see there is a special genius in this metaphor’s specific use of pilots.
To begin the comparison, birth and takeoff share a foundational similarity. Both initiate a sequence of events that will only ever come to an end. Next, life and flight are that sequence. They are the continuation of birth and takeoff. Moreover, during life and flight, no matter how a person lives or how a person flies, a tragic end lingers at a moment’s distance. Finally, the death (near death, at least) and landing phases offer a unique ability to look back over the life and flight phases with the express purpose of forming judgments. For pilots, these judgments, of course, are not the end–but the beginning. The end is the application of the lessons learned. Note, that pilots repeat this three-chapter cycle almost daily. And while doing so, they become very proficient at improving their flying skills through the post-landing debriefs. Grounded folk, on the other hand, are not afforded these vantage points. They must make extreme efforts to be still, take inventory, determine lessons learned, and then apply the lessons as they resume living out their lifetime. Consequently, pilots living all these mini-lifetimes–do not discount the very real threat of death this metaphor demands–are in the habit of debriefing their own grounded lives each day, week, month, year, or whatever time period and applying the lessons learned to the next iteration. That is why they are better.
Whew! Glad you’re still with me, as I have great news. That was just the introduction. Let’s not kid ourselves, it was worth it. Next up, the part of the assignment you’ve been waiting for: more meta-for. (Yep, that’s my humor.)
The assignment was to write a(n interesting) paper relating grammar to some other system in life. Naturally, it follows that if my flying-life metaphor is so perfect, grammar being a part of life, then grammar should be able to be explained via flying. As Rafiki tells newly-mature Simba in the Disney classic, The Lion King, “Eet is time.” It is time to push the metaphor further.
Clear as day, the first requirement for grammar is words. Lady Luck, beauty that she is, smiled down on me as it became clear that flying also needs one thing more than anything else: pilots. So words must be pilots. Obviously, humans don’t have physiological wings, so we invented machines that could lift us into the air. Just as all humans are not pilots, all sounds humans emit are not words. Within the sounds that can be classified as words, there are subtle intonations and pauses. When creating written language, earlier man decided these subtle intonations and pauses required special written markings, different from alpha characters. Whatever name initially given, today we call them punctuation. Like a pilot’s aircraft, punctuation is a tool to help words achieve their God-given purpose. A pilot’s purpose is to accomplish a mission and he does so using an aircraft. A written word’s purpose is to accomplish communication and it does so using punctuation.
With words and punctuation under my belt, I pressed onward. What more could I synthesize? I knew that individual words and punctuation didn’t communicate as well as a group of words, a sentence, does. Equivalently, pilots and aircraft don’t accomplish missions in a single action–they need a group of actions. So a sentence, then, is the coordinated cycle of takeoff/flight/landing. Each takeoff is the capital letter and marks the beginning of an independent, complete thought. The flight is that thought. And the landing is the concluding punctuation. (This is pretend world. It’s okay if the punctuation is both the aircraft and the landing…think how a period can be both part of an ellipses and a period at the same time if you need to.)
But wait! Stop here, and consider a new revelation. Consider how an exclamation point has varied tones. I said consider how an exclamation point has varied tones, silly! Then consider how a perfect landing would be a soft, beautiful exclamation point as in, “Man, that landing was as sublime as an outdoor professional hockey game being graced by light falling snow!” While a crash landing would be a hard, abrupt exclamation point found in, “Bam!” At first daunting, the question mark still fits the metaphor. Can you picture a student pilot attempting to land a helicopter? Sometimes the student thinks he has landed just once, when the instructor knows it was at least twice. After all, there is no place to record number-of-times-student-bounced-the-helicopter-before-finally-landing, is there?
Next, while it is possible that a mission can be comprised of just one takeoff/fly/land iteration, most missions include several such iterations. Similarly, it is true that some sentences can be paragraphs themselves. A more elementary view is that sentences need other sentences in order to be a paragraph. A paragraph is usually a more effective method of communication than a sentence or word. This, then, is the same as how missions containing several iterations of takeoff/fly/land are usually more effective missions. Specifically, if a pilot flies to a destination to pick up someone, flies to a second destination to drop them off, and then flies back to the home airfield, that is more effective than just one of those three iterations. One effective mission composed of three total flights.
This metaphor becomes ever easier as we move away from the basics, into the more subjective parts of written language. Lexicon, or an individual’s dictionary, would be the capabilities of a particular pilot, whereas diction would be his or her style. Metadiscourse, or the words and phrases that help the reader understand the writer’s meaning, would be a pilot’s clothing. Is the pilot wearing a uniform, or just dressed in plain clothes? Just as a writer’s intentional metadiscourse helps the reader understand the writer, a pilot’s clothes conveys who the pilot works for, how good he or she is, how experienced he or she is, and what type of missions the pilot accomplishes (passenger transport, combat, reconnaissance, etc.).
In the end, this assignment is over before it begins. That grammar can be synthesized into any system shows that it can be synthesized into every system. That’s because grammar is a system. That’s the point, isn’t it? The real trouble for sticklers of grammar, however, is not that people don’t use the system; it’s that life goes on whether people use or ignore the system. This, just as life goes on whether or not human flight occurs. If there is any overarching lesson this metaphor can teach us, it is that grammar is not a solution to a problem. It is a tool to be used by those who care to use it. Just like flying.
How To Listen
(If you’re short on time, skip to the bottom for numbered instructions.)
“What’d you say?” he asked. Realizing he couldn’t remember crossing the bridge she created–the bridge over which her words matured into tears–he felt a great shame settle over him. Leo Tolstoy wrote, “The tears seemed to be the proper lubricant without which the machine of mutual communion between the two sisters could not work successfully.” Similarly, her tears contained the power to recapture his attention. The tears also had the effect of making him want to listen. He briefly wondered how anyone found his way without Tolstoy.
Hours later, he made it a point to determine if he’d always had difficulty listening. At first, his ego caused him to deny such a charge and pointed out that he was an excellent student. He also recalled how he excelled in a professional environment. Both required the ability to listen. Reluctantly, he opened the door Doubt was moments away from breaking down. He didn’t have very many close friends. He certainly hadn’t made any new friends in years. Swallowing his just-a-bit-too-large-a-bite-of-food-which-chokes-but-doesn’t-kill pride, he finally admitted the truth. He objectified people.
This was the only way he could make sense of it. If the person he was with couldn’t help him in some way, his mind found better things to do. Even before this revelation solidified, he had difficulty believing this was a deficient quality. That difficulty became an uncommon resolve which he used to summit his problem. At last he stood atop his terrifying realization. This never-before-seen perspective decisively gave him the vantage point necessary for change.
Instructions for How To Listen:
Step 1 – Stop talking.
Step 2 – Stop objectifying people.
How To Respect
(If you’re short on time, skip to the bottom for numbered instructions.)
He couldn’t be sure, but it seemed there was at least a correlation between the two. He thought it was more likely cause and effect than correlation though. But he knew it didn’t have to be. He knew that laziness was the real culprit.
Of course, he couldn’t blame anyone in particular. It certainly wasn’t the aggregators fault; they were just amassing the information. Likewise, it wasn’t the people who provided the information’s fault. All they did was volunteer knowledge–itself a pretty harmless action at worst.
There seemed to be no other option. It had to be the individual. Was the individual person the guilty party? Yes. He was sure of it. He knew it all along. He tried to pretend the responsibility didn’t fall on a single person’s shoulders, but it was clear now. As much as he wanted to shrug off the burden, a singular sensation passing through his body signaled that he was right. Everyone was accountable for the lack of respect permeating the culture.
In an instant, his mood changed. He felt cheery and seemed to see the world in a different light. If the problem had been identified, there could now be a solution. Of all people, he should have seen this bright conclusion earlier. It mattered not. He wouldn’t allow these thoughts to dampen his mood.
Up until recently, there did seem to be a direct relationship between how much information a person knew, and how wise they were. Naturally, the information age has saturated mankind with data. As a result, everyone acted on the belief that there were answers to life’s problems. People thought that information was wisdom. The mistake is forgivable. Nonetheless, it must be addressed. The starting place, is re-learning how to respect another person. He knew this point was tricky, as not every person behaves in a way that deserves respect. He also knew that people rise to the occasion, and in this country every person has the same inherent right to life, liberty and the pursuit of happiness. In this manner, at least, all people deserve respect.
So how does one give respect? See below.
Instructions for How To Respect:
Step 1 – Listen.
Step 2 – Ask, “What are you going to do?”
The Secret to Avoiding Danger
To begin, I learned that an email containing my last blog Special Fourth of July Interview with A Mugwump was not sent. Read it.
For today, read on to reveal the secret.
Censorship is murder. To be a human, as opposed to all other known life forms, requires an unfettered ability to communicate one’s value (in the form of words, images, or music) to other humans. And an external restriction of a person’s expression of value is the same as telling them they have no value. In other words, to censor is a malicious attempt to end the censored’s life.
Defining censorship in this way is meant to cause careful consideration of censorship. Exploring censorship at its most basic level is the only way to get to the root of the issue, by definition.
The fairly recent article, “The Ed Sullivan Show and the (Censored) Sounds of the Sixties”* is the case study in question. In it, Ian Inglis discusses the widely popular Ed Sullivan Show and its unique experiences with censorship. That television show showcased up and coming performers every Sunday night. Popular wisdom states that if a performer appeared on the show, he/she would achieve great material success. The article discusses three now well-known performers and their experiences with Ed Sullivan’s censorship.
First, after being selected to appear on the show, Bob Dylan was asked to perform a totally different song than the one he had planned to perform on the show. Second, the Rolling Stones were asked to change a lyric; they did. Third, The Doors were asked to change a line from one of their songs. They paid lip-service to the request, but when live, they did not change it. Inglis concludes, “Ironically, one consequence of the censorship suffered by all three performers was that their positions were unequivocally enhanced (Inglis 571).”
Inglis rather wordily describes the simple fact that censorship is murder. Each instance demonstrates this perfectly. First look at what happened to the Rolling Stones. Mick Jagger and Keith Richards wrote the song in question, “Let’s Spend the Night Together.” Before their performance, an outside entity changed the lyrics. Logically, though subtlety, this means that while the performers looked similar to the Rolling Stones, they were in fact some other band, some new band. By allowing their lyrics to be changed, in effect, the Rolling Stones murdered themselves for that night. Next, take Bob Dylan. He wouldn’t concede to the censor, so he didn’t perform on the show. It is now clear that The Ed Sullivan show never wanted Bob Dylan to perform. They wanted someone who looked, acted, and sounded like Bob Dylan to perform. When they couldn’t get what they wanted, they murdered him. Finally, take the Doors. Long live the Doors. They played the game, they fooled the “man”, and they played their song, uncensored. The only performers who remained unscathed, then, were the Doors.
In my own life, an even more appalling proof that censorship is murder took place when I was young. My mom censored my sister from the New Kids On The Block “Step By Step” album. To the uninformed, this may not seem like murder. But those of us who are close to the situation know that the New Kids On The Block died after releasing that album. The New Kids On The Block never released another original studio album after “Step By Step.” The five men who made up that group did eventually release more original songs, but under the name NKOTB instead. How can this be explained except to say that censorship is murder?
The question remaining is why did Ed Sullivan and my mom choose to murder these performers? To discover the answer, we must turn inward. Violence is often committed against those who we find threatening. Murder is the fullest expression of violence and is resorted to when all other attempts fail. Time and time again we see that if humans feel they are in danger, they remove the danger. If necessary, they remove the danger through violence. What danger can possibly exist in the form of words, music, and/or images? In and of themselves, they are unable to physically harm a person. Therefore, the danger in question must be regarding the mind. A short story can help explain the deficiencies in this way of thinking.
Aircraft pilots are people who professionally deal with avoiding death on a daily basis. To draw the metaphor, we could say they professionally deal with avoiding danger of any sort. This is very different than most other professions. But it is common knowledge within the aviation community that at the end of the day a pilot really just wants to have successfully completed the same number of landings as takeoffs. The point being that a pilot counts success as being alive at the end of each daring flight, not whether or not some particular mission was accomplished.
Pilots avoid danger. Censors believe they protect people from danger. It should prove very instructive, then, to learn how pilots avoid danger. Pilots avoid danger, not by actively avoiding danger. Over time, the community of pilots discovered that if they attempted to avoid danger, they only compounded the danger already inherent to human flight. Instead, they fly correctly. They focus their energy on learning the right way to fly. Naturally, this matches the safest way, but it is important to note that pilots think in ‘correct vs. incorrect’ not ‘safe vs. dangerous’ terms.
Regarding words/music/images, the same principle should be applied. Artist’s (people) should not be censored because their art may cause harm. They should be encouraged to achieve their fullest potential. Regardless of whether the work is appropriate or inappropriate, it may have value. The only way to measure the value is to determine its quality. Ancient wisdom would have us believe that there is a time and place for everything. Rather than focus on the–as demonstrated by pilots–ineffective idea that danger can be avoided if it is censored, how much better informed could a population be if it only cared about quality?
Returning to the thesis then, we need to remind ourselves that what we’re really discussing is freedom and value. If Ed Sullivan would have simply acknowledged those three performers had value and the public wanted to see them, not look-a-likes, the results would have been untainted. As it stands, the saying, “there’s no such thing as bad publicity” rues the day. Would those three performers have had such success if no censorship attempt was made? Probably. So the fool, then, is Ed Sullivan. The fool, then, is the censor. Humans require the freedom to communicate their value. Inherent to the act of censorship is the death of this freedom to communicate. Furthermore, we have seen that censorship does not—cannot—deter any coming danger.
*INGLIS, I. (2006), The Ed Sullivan Show and the (Censored) Sounds of the Sixties. The Journal of Popular Culture, 39: 558–575. doi: 10.1111/j.1540-5931.2006.00279.x
A Letter To My Friend (That I Hope To Write)
To My Friend,
We’ve known each other for some time now. We’ve seen how we each live, how we each make decisions, how we each handle problems. More than most, you’ve seen my relationships with women unfold.
I’m writing to you now because a new day has dawned. People like us, we’re different. Our brains maintain a tighter grip on information than most. We have been given all the tools necessary to accomplish great things in this life, you and I. That’s just a fact. We also know that leading a family must be one of those things. It is a timeless tradition that must be honored by all men aspiring to greatness. There is no escaping this feeling. We’re surrounded by weak men holding their hands out, expecting help. They’ve got it wrong. We’re the ones who give help, not receive help.
The point is, we made it this far, and owe it to everyone, literally everyone, to use the rest of our time to be an example.
Some maladjusted part within us wants us to believe that if a woman would have us, then she could be the one. First hand experience however, tells us that nothing could be further from the truth. First hand experience also tells us that that’s not enough. That’s why I’m writing this letter. We need to help each other stay focused on the goal. Alone, the future is bleak. Together, we can lead a revival.
Only because of you am I confident to share the news. You reminded me of something I once knew; something that over the last several years I repressed, hid, denied, and pretended to forget. You reminded me that I, too, believe ideal women exist. I, too, believe in women of such high quality that they seem unearthly. I’m talking about a quality so rare that it is only whispered about. I believe in ideal women who possess so much more than the ability to attract. My friend, we’ve always hoped we were right. Now I am certain we were, because I found mine. I hope this letter brings you good fortune, and motivates you to stay the course.
Your Friend,
A Mugwump
An Apology to LinkedIn Connections
Dear LinkedIn Connections,
I wouldn’t have “Liked” me either. Hurt doesn’t begin to describe how I felt every passing day, every passing week. My fervent efforts appeared to fall short in the eyes of even my first degree connections. Molded by your advice, there I was pursuing my passion. And even those sage connections didn’t “Like” my work. Few canyons reach the depth to which my professional depression dove.
“Joy! Bright spark of divinity!” In a moment that can only be described by Beethoven’s Ninth, I saw the light. Consequently, I owe you an apology.
Whether you felt my anger or not, I’m sorry for ever doubting you. I’m sorry for being upset with you. It’s difficult, you know? I’m new to this, and I was only thinking about me. Until recently, I wasn’t able to look at the problem from your perspective, but I see the truth now.
I realized that LinkedIn is a professional website! How did I ever miss this fact?! This means that supervisors, co-workers, and any of your other professional connections are going to see that you “Liked” my blog. If they’re worth their salt, they’d surely trust your integrity and assume that you actually read my post before “Liking” it. Why is this a problem? Because if they know that you’re reading my blog, guess what they know you’re not doing? Work!
I am so sorry for ever doubting you. All this time I thought you didn’t actually enjoy my writing. Now it is clear that you do, but you just aren’t ready to go public yet. That’s cool. I’m O.K. with that, as long as we understand each other.
In closing, let me just say one more time that I’m sorry. Know that I never stopped liking you, even when I thought you didn’t “Like” me. As time passes it seems like saying I was “angry” might have been too strong; it was more a general feeling of confusion. Okay, I think your boss is beginning to suspect something, so you’d better get going. Thank you for your time. (For real, go! Don’t worry about me. From now on, I’ll just assume you “Like” every single post.)
Very Respectfully,
A Mugwump
How Long Until We Learn? 12 Years? 20 Years? Never?
“Does everyone understand?” the professor asked. She just finished explaining a nuance regarding citations in academic writing. “Once more then, common knowledge doesn’t need to be cited, but other than that, it’s best to cite the source of your material. For example, that Pearl Harbor was attacked on December…9th..?” Snickers from the class. “…was it the 9th?” she begged for help.
“7th,” he spoke up. “December 7th.”
“That’s right, thank you. Now you all know that I don’t ‘do’ dates very well,” she joked.
“And that you don’t love your country,” he remarked half-joking, but seeking a status increase in his classmate’s eyes as well.
“Haha. Yes, apparently that too,” she laughed, genuinely appreciating the comment.
His helmet on and secure, he slowly backed the motorcycle out of its parking spot as he prepared to head home from class. Recognizing that a motorcyclist’s every movement is exposed, he concentrated on making his scan for obstacles look as cool as possible.
Finally, he was on the road. Warm air, no seat belt; he was one with the machine. “This will never get old,” he thought to himself. Seeing brake lights in front of him he looked up to see yellow become red. Downshifting, he slowed to a stop. The car in front of him had a sticker that caught his attention. It simply read, “9-11-01.” He couldn’t place the date. Adam and Eve themselves couldn’t describe the shame he felt as he realized his mistake. How many times did it have to happen until he learned that pride comes before the fall? Less than 10 minutes after enjoying a good laugh at the professors expense for not remembering the date Pearl Harbor was attacked, he didn’t recognize a sticker whose purpose was to help us never forget the events of September 11, 2001.
Frustrated he rode the rest of the way home analyzing how this could have happened. Suddenly, an interesting thought: “Wow. It has been 12 years. I wonder how everyone felt in 1953 about Pearl Harbor, compared to how we feel now about 9/11. I always hear about how great the 50s were… Will people in 2073 look back and romanticize this decade too?” It seemed unlikely.
**
Insecurity. Individuals feel it, nations feel it. In either case, it is a problem that should be stomped out as ferociously as possible. The attack on 9/11 spoke to life’s uncertainty. How long are we going to pretend that this was new information? No living thing is free from a risk of dying. Why are we still insecure?
Given the occasion to ‘get the jump’ on the yearly discussion, I don’t mind taking the first stab. We’re still insecure because we don’t understand where security comes from.
Here’s the situation as I see it: After taking until the mid-1980s to repress Vietnam’s memory, we built a military of overwhelming strength. The end of the 80s saw the end of The Cold War. Less than a few years later, we literally obliterated Iraq’s military during Gulf War One. (Our pilots were shooting down Iraqi pilots before they could retract their landing gear on takeoff.) This victory made it impossible to resist feeling invulnerable.
The trouble, however, was that the “we” that became invulnerable included the greatest generation. By 9/11, “we” no longer included the greatest generation or their experience-based (vs secondhand) knowledge and wisdom. What did they know that would have helped us? What might we have learned from existing with them, rather than reading about them? What information do we need to internalize so we can rid ourselves of the wasting disease called insecurity?
Security comes from within.
It won’t come from Obama. It wouldn’t have come from Romney. It won’t come from Clinton or Christie.
Whether Hippocrates ever intended his paraphrased oath to be applied by everyone is inconsequential. “Do no knowing harm.” That goes for everyone. All the time. Whether at work or at play. In your personal life, in your professional life.
Is life complicated? Yes. Has our government acted honorably all the time? No. Do people capitalize on every opportunity to take advantage of each other? Yes. These questions and answers do not paint a pretty picture. So what. Not one of them has any bearing on the decision you are about to make right now.
The only way to overcome this problem is to stop doing knowing harm. Today. No matter who is telling you, “It’s okay.” Whatever consequence you fear will happen if you disobey, you must risk it. Past mistakes are irrelevant. The rest of the planet is longing for Americans to wisely use the power we hold. You know what I’m talking about. You can’t feign ignorance any longer.
I need your help. The only way to get there is together.
How To Raise A Toddler
(If you’re short on time, skip to the bottom for numbered instructions.)
Okay, bedtime story complete; she’s down. What the? Why would they make something a toddler is supposed to put in her mouth out of cardboard? It took less than two hours for her to flatten the red-party-favor-blower-thing with her brimming with saliva little mouth. Gross. Yep, I’m throwing it out. I’ll just deal with her tomorrow. She probably won’t even remember that it existed. (#1)
“Daddy!”
Yup. She’s awake. I’d guess that it’s probably around 8:00 am. It’s got to be. I already heard my housemate leave for work. Let me just check my phone to see what time it is… 7:00 am! Oh well. I want waffles this morning anyhow, so I could use the extra time.
“Daddy?”
“What is it?”
“Where’s my red thing?”
“What red thing?”
“Daddy, can you turn on the light in your room?”
“Just eat. When you’re done, you can turn on the light yourself. You’re a big girl now. You can reach all the light switches in the house. Turn them on and off yourself as you please.”
“Daddy. I’m done. Peez I get off the table?”
“You’re done?! You haven’t finished your waffles. How are you going to have enough energy to make it to lunch?” (#2)
“Daddy. Peez I get off the table?”
“Fine.”
“Daddy. Where’s my red thing?”
“I threw it… it probably got thrown away. It was broken.” (#3)
“Who breaked it?”
“It’s ‘broke’, not ‘breaked’, ‘broke’. You did. Don’t you remember?” (#4)
“I breaked it?”
“‘Broke.’ Yep. You sure did. You should be more careful next time. Okay, hurry, you have to go to school.” (#5)
“But I didn’t break it.”
“The point is, it is gone.”
“Are we going to the mountains today?”
“No, you have school today. We’ll go to the mountains on the weekend.”
“Oh.”
“Okay, let’s get moving. I’ll get your clothes, time to go potty.”
Not quite making it to school (daycare) on the first trip, I was back in the driveway needing to grab the bathing suit I had told myself not to forget. Leaving her in the running car on the drive during the short trip into the house, I thought of all the morons who’ve car-jacked a car with a kid in the back. Not even fully closing the front door for fear of locking myself out, I might as well have put out the bat-signal.
Feeling the front-door give a little as I twisted the just unlocked handle, I pushed further only to curse myself. Apparently I didn’t remember to lock the deadbolt this morning before leaving like I told myself I would last night during a bout of all-too-common laziness. Who invented deadbolts that require a key to lock it on the inside of the house anyhow? Safe neighborhood, I’m sure.
Upon approaching the car, her child seat was empty. More curious than concerned, I saw movement on the other side of the seat. Good for her. She finally knows how to unlock the seat-belt. Finally, we made it to the ‘Early Learning Center’.
Crying , she wrapped my pinky and fore finger in her left and right hands which had acquired the grip of a python overnight. I pried my fingers free and left her in the arms of some accented foreign lady who is her teacher.
This is probably not doing any long-term damage to her. (#6)
Instructions for How To Raise A Toddler:
Step 1 – Lie as much as you can to the toddler and yourself.
Step 2 — Use the fact that all other parents are also lying as reassurance that you’re on the right track.
A Reading’s Surprise
Staring at the small, basic kitchen table that doubled as his computer stand, he just sat. It wasn’t ideas that he wanted, but help. Was this everything? Could this really be how life was supposed to play out?
Only moments earlier he had such hope, such expectation. Now, he only felt resignation and frustration. “Curse you, World!”
Believe it or not, he was upset because he couldn’t believe what he had just read…about definitions. That’s right, he had just read that there are apparently at least two different types of definitions from where the defense of an argument can be mounted. The first being, stipulative definitions or what really should be called creative or inventive definitions. The second, categorical definitions.
The book stated that categorical definitions differ from stipulative in that they focus on classifying ideas in categories (hence, “categorical”). For clarity, here is a categorical definition of motorcycling: one of the many types of transportation available to modern man. On the other hand, this is a stipulative definition of motorcycling: the greatest way to travel from one place to another.
No, this just won’t do. By his thinking, there should just be one type of definition. There should be only one clean, nice, simple way of making sense of the world. That’s what this is all about, isn’t it? That’s the point of defining a concept, right? The point of a definition is to organize what an individual sees or believes to be into a set of data that can help fulfill life’s potentialities, right?
As if life wasn’t difficult enough, he now had to deal with this new information that even the very tool he had been using to define his reality couldn’t be simplified down to one type of meaning. How was anyone supposed to get any work done in this madness?! He must change this. Life cannot require this level of complexity.
His first task, then, was to get everyone to agree on everything.
Who Killed the New Kids?
“Censorship is murder.”
Too strong? I thought so at first. Then again, this was an assignment for college and I wanted a good grade, so I decided to run with it.
The task that lay before me was developing this radical thesis. So I thought and I thought and I thought. I asked my housemate what he thought. So he thought. Then we both thought. Here’s the result: Censorship is murder because I believe that “to be a human, as opposed to all other known life forms, requires an unfettered ability to communicate one’s value (in the form of words, images, or music) to other humans. And an external restriction of a person’s expression of value is the same as telling them they have no value. In other words, it is a malicious attempt to end their life.”
It was beautiful.
After developing my thesis, the next assignment was to write about my first experience with censorship. What I discovered was frightening. Even now, I am afraid of the implications.
187. 68. 32. Those are the amounts posters and/or pictures of The New Kids on the Block my cousin Jenny, my sister Kate, and I had on our bedroom walls, respectively, in the summer of 1990. I feel like I should be embarrassed to admit this. I would be if I led the bunch. That I was a distant third clearly showed I was just trying to fit in.
For those of you who don’t recall, The New Kids on the Block were it back then. Their top single, “Hangin’ Tough” spent 132 weeks, that’s nearly two and a half years, on the Billboard charts.
Despite the New Kids’ success, all was not well in households across America. Mine was no different. My memory gets fuzzier by the year, but this much I do remember. My sister was taking piano lessons. She was three years older than me. She was 12, I was 9. Mrs. Misty Bolton, the wife of our church’s pastor of music, was her piano teacher. Even a cool lady like her couldn’t see the storm brewing on the horizon.
I can hear the nice, neat, well-timed piano playing now. Whatever my sister may have lacked in expression, she made up for in crisp playing–just like an older sister to show how its done.
At this point in the story, it’s important that you join me in the room.
You’re already at the front door of the house? Good. Open it. Once you make your way through the front door, you see a hallway to a kitchen table straight ahead. You discover that what you thought was the right wall of that hallway is actually the left side of the staircase which leads to the second floor and a little balcony. Turning all the way to your right, you see the room where the piano is. You know the piano is in the room, not because you see it, but because you can see a reflection of it in the wall sized mirror that hangs opposite it.
This room, unlike any other in the house had a name: the “blue room”. It was named for its predominant color, beginning with the blue carpet, extending to the blue walls. The blue carpet was a plush, thick, luscious carpet that incurred my mother’s wrath if it was needlessly tread upon.
“Key-an’t you go around?,” she’d exclaim. She could be rather vain about carpet.
Do you see me yet? Good. Here it comes.
“Mom! Comeeer. Misty, I mean, Mrs. Bolton says she’ll teach me to play the New Kids on the Block songs if we buy the book! Can we? Pleeeeease?,” my sister begged.
Our mom was no push-over, but it seemed like such a simple request involving learning to play piano didn’t necessitate that kind of begging. It turned out that no amount of begging could overcome the music snobbery we were about to witness.
“Nnnnoooo, I’m not going to hee-ave you playing that garbage! It’s bee-ad enough I hee-ave to hear it and see it all dee-ay long as it is. I will not buy thee-at book for you. Nice try though.”
Crushed! Devastated! If my sister wasn’t crying on the outside, she was on the inside. Try as they might, my boy arms lacked the strength to lift her out of her misery.
-Fast forward to the next lesson-
Guess who showed up with the sheet music book for the New Kids’ latest album “Step By Step”? Mrs. Misty Bolton. This was a bad idea. She obviously had not spent much time in our house. Suffice it to say, my mom was not happy. And so after my mom let Mrs. Baldwin know she wasn’t happy, she made my sister pay for it out of her piddly allowance and then she took the book away and hid it. No piano of hers was going to play the New Kids’ music, and no piano teacher was going to defy her wishes!!
Well, there you have it. My first experience with censorship.
What’s that? You thought I was supposed to be explaining how this experience led me to believe censorship was murder?
But don’t you see? I just did. My mother censored the “Step By Step” album. You still don’t understand? Okay. Okay, quick reminder then. How did the New Kids follow their “Step By Step” album? Don’t remember? That’s because the New Kids on the Block never released another original studio album. By the time those five guys did release another original studio album, they weren’t the New Kids on the Block anymore. They were NKOTB. Still not with me? Fully connecting the dots now– a simple writing assignment in which I was asked to defend my original thesis, that censorship is murder, led me to stumble upon the frightening revelation that the New Kids on the Block died after my mom censored their “Step By Step” album. Therefore, my mom killed them in an act of what appears to be cold-blooded murder! This is the same woman who raised me to do the right thing and all these years she’s been hiding this secret! She, too, must pay for her crime. And I have to turn her in. But how do I turn in my own mom??!
I guess, I’ll just have to take it step… by… step.