“Bare All” vs. “For All”, A Joint Review of The Return by Uberto Pasolini and Mission Impossible: The Final Reckoning by Christopher McQuarrie
I have always longed to be absolutely open-minded when it came to art. At an early age I was aware there were art critics who could find and explain beauty and power and relevance in art that I generally found unappealing. “What do they see?” was my question. This was followed closely by, “Will I ever see it?”
Ralph Fiennes has a full frontal nude shot in Mr. Pasolini’s telling of “The Odyssey.” I really want to understand why. My guess and how I understood it was it provides fodder for reviews like this one. He gave me the line, “Like Ralph Fiennes’ bold nude scene, Pasolini’s film presents Homer’s epic as nakedly as ever. It’s a ‘Just the facts, ma’am’ retelling.”
Then I would add, “Unfortunately, whatever he was aiming for, it hits more like a Cliff’s Notes summary of the definitive epic than a masterful adaptation. The poem is more than the naked delivery of facts because beauty, power, and relevance demand more.”
Tom Cruise, on the other hand—while still baring much epidermis—does not bare all in Mr. McQuarrie’s latest and final(?) Mission Impossible installment. Why not? There are probably many reasons. Surely near the top is his desire to make a movie which will entertain every living human on Planet Earth, now and forevermore.
We all already knew China was important to him (ref: Taiwan flag removal on leather jacket in TG2). He released this one in Tokyo, I gather. So there’s that. But we’d be fooling ourselves if we thought only in terms of round eye and slant eye. He wants all of us.
For me, there is a blandness that necessarily accompanies this approach to universal art. It is best captured by how jokes, to be funny, must remain particular. “A priest, a nun, and a monk walk into a bar” works. “One religious man, one religious woman, another variation of a religious man walk into a workspace” does not work.
So when art is made, for me, the same applies. There is a requirement for creating something that ensures there is some level of audience guaranteed to understand it, but if you worry too much about this and try to be certain that everyone will understand and not be offended etc, then you lose the point.
To this I will add and conclude that what TC and McQ made is beyond this attempt at universality. They aimed so high and are such capable men that they achieved something truly remarkable. I mean that I believe they fulfilled their goal. It’s not a perfect movie. But it is a movie that every living human being on Planet Earth will enjoy, now and forevermore.