My wife mentioned that she wanted to watch the new Equalizer, but I couldn’t recall ever taking time for Equalizer 2. So we started with 2, and then moved to 3. “Decent and in order.”

Oh, and we have this new TV which does that thing where even Hollywood films appear like they are home videos. Know what I am talking about? Probably not. I have not found many who can see what I see, but having taken about 12 years off TV, I can tell that the image is far, far different than it used to be.

I bring up this image quality thing because it is part of the problem with Equalizer 2, but not 3. On these new TV’s, the CGI, if any corners were cut, looks terrible. Like it used to look before it got good and seamless, really, with the Avengers film. So 3 must have had a bigger budget—itself no surprise as they were probably caught off guard by how many went to see the sequel to a standard action film. Apparently, they were not monitoring Mr. Wick’s success. If they make a 4, I’d rush to see it because they will surely be in full stride (and direct competition) with John.

The story in 2 was also less than compelling. The start was great, but the moment we hear the “bad guy” stop pretending he is innocent, the movie, for all intents and purposes, ends. And this happened near the half-way point. And the CGI wasn’t even introduced until the end. So we went from worse to “worser”, to play off David Ayers’ Street Kings opening.

But again, we were only watching 2 to get to feel right about watching 3. And 3 delivered.

These two films (I can barely recall the first one) are incredibly violent. Shockingly so. So don’t think you should bend the rules with your kid and show them their first R-rated feature with one of these. You’ll regret it. But they do the right thing of making the bad guys really bad, and Denzel, well, he’s Denzel. And in 3 we got to see a CGI free Denzel film. Or one that had the budget to make it look like CGI wasn’t used.

You know what makes Denzel great? He’s almost a one trick pony. But the trick is the equivalent of harnessing the power of the Sun. He is so great because of how he, in almost every movie, can give a particular look which makes you sympathize whole-heartedly with his character. Of course his speaking and speeches are excellent. And who doesn’t want to move like he moves? And think like he thinks. But the silent look he gives is something that I want to never be able to produce. I don’t want that pain, that history, that store of feeling. I don’t want that library of unspoken, but not forgotten, words. But I do sympathize.

Final note: his other recent film, “The Little Things” is decent. Don’t skip it if you are at all intrigued.