Rougher Work Week
In Heat, the cop played by Pacino returns late to the ritzy bar his wife lingered at and she starts in with, “And I bought into sharing. But this isn’t sharing. This is leftovers.” (Or what is the same.)
Pacino responds, “Oh I get it. You want me to come home and tell you that some junkie just put his baby in the microwave because it was crying too much. And somehow this will…” and on and on. (Or similar.)
Later in the movie while desperately trying to keep someone he knows alive, he says, “Not you, baby.”
Suffice it to say, these scenes, not the particulars but the emotions and complications, come straight from real life—which I would say is exactly why I love that movie and have always loved that movie.
In real life, as I have written before, my own reaction is a sudden and unaccounted for need to cry. I didn’t this time. But all the necessary variables were in play.
There is a great desire to ask, “What can fix the scene(s)?” Or “How can we help people?”
But I have come to believe, “This is the scene. You don’t fix it. You don’t help. You just play your role. And you hope that your society has good roles.”
From the earliest age I knew my role was “anonymous, systematized, called-in relief”.
It’s mostly rewarding.